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Natalie Dessay - Hamlet - "Pâle et blonde" (scene - part 2)

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Uploaded by on Jul 25, 2006

This very peculiar Ophélie's 2nd aria of her scene requires great agility. But Natalie succeeds in using this virtuosity to emphasize Ophélie's dispair... Honestly, I've never heard this aria so well sung and ACTED. You feel for Ophelia and don't care anymore about notes...
This is the 2rd part of the scene dedicated to Ophelie's madness & death, in Ambroise Thomas' "Hamlet"..
Conductor : Michel Plasson / Stage direction : Nicolas Joël
Recorded in June 2000 at Paris Théâtre du Châtelet. SHOULD BE RELEASED ON DVD (announced for quite a while by the Chatelet)

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  • she is the perfection

  • wow wow wow wow wow sono senza parole.. incredibile mai sentita una cosa del genere

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  • @chebellamelodia This was about a year or two before.

  • ''Adeus, branca estrela

    Adeus, céu

    Adeus, doce amigo''

    Lindíssimo!

  • The timbre is so worn out...oh, God!

  • ....e il fa#!!!!!!!!!!!!!!!

  • God! So many times in her life she has finished an aria and been met with an explosion of cheers and applause. So many. And yet, although she is extremely serious about what she does, she shows no trace of arrogance. Only straightforward friendliness to virtually everyone with whom she comes in contact.

  • @PierreAlexandreRavet Bien sur qu'il s'agit d'un contre-fa# et pas d'un contre-la (on se demande ce que viendrait faire un la dans un accord de dominante de si majeur).

  • @Lecafeconcert Un contre-la ? pourtant on entend bien un contre-fa# ... Peut-être est-ce dû à l'enregistrement lui-même.

  • Is this before or after she had the surgery for nodes? Just curious.

  • @isabelbleuet  si vous parlez de la note finale tenue, c'est un contre-la :) Il n'y a pas de contre-fa dans cet air, des contre-mi et ce sublime contre-la ajouté par Natalie Dessay au sommet de son art! :D

  • Gives me goosebumps...

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