Continuing the exploration of the "untutored eye" and scopophilia, this second installment of SV uses a montage of light/images, movement and sound to visualize the contradictions of religious ideology underlying the neocolonial sociopolitical order. For videopoetics, see William C. Wees' LIGHT MOVING IN TIME. The next installment will be a deconstruction of signs referencing the fascist barbarism of the status quo.
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