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Compelling, passionate, and vivid. The soprano sacrifices some tonal beauty here on behalf of the character's conviction and it's definitely better to watch than to hear. But what a distinct pleasure anyway. The Countess is usually a rather whiny figure in this opera. Here's she's fully vested with rage and, as it goes on, courage.
Regardless of whatever it is yawll are saying, she is still the most natural sounding soprano of the day. Accurate and pleasant. As for THIS individual performance, some may like it a lot and others less. Still great!
this is great, and she delivers this aria better than most. I do not agree that this aria should be too calm. It should be emotional. ANd she mesures up exactly when and how much of volume should be produced. It is so easy to be jealous and criticize. we are such a horrible branch of musicians. ccc...
she was singing vitellia at the salzburger festspiele at the time which demands different breathing and a lower tessitura!! and besides those two points every!! singer has bad nights if at salzburg, at the MET or elsewhere. i really do admire her singing.
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