A Sarabande in A major by Buxtehude, played first in A major (three sharps) and then transposed to A-flat major (four flats).
It is a demonstration of the differences of expressive character within this unequal tuning. The tuning is from Bradley Lehman's research on the Well-Tempered Clavier by Bach. For more details, additional audio samples, and several full-length CDs see http://www.larips.com .
The harpsichord here is in Flemish style, and was built by Anne Acker. There is only one set of strings at "8-foot" pitch, but the tuning lends such different tone to different keys (with sharps vs flats) that it sounds almost like a change of instrument.
A tuning demonstration is now available, too, showing how to set this up. Check my other videos.
You're conflicted.I hear you expressing gestures(barely),before conditioned guilt sets in and you return to your absolutist music conditioning(received from school)and hurry on...before we feel...anything at all.
smithsherman 4 years ago
I think that you've got it. Finally, the keys not only have their own character but chromaticism really jumps out at you! Perfect!
Cantormatis 4 years ago
When I discovered this temperament on the internet I just had to try it out. So I tuned my old electronic organ to it, and the old thing suddenly sounded a whole lot better!
ccoraxfan 4 years ago
very nicely played...you are lucky to have one for yourself ^-^
poptart777 4 years ago
Gosh, after hearing this, equal-temperment is sort of like going back to black-and-white.
Green4321 4 years ago
it's so nice............
talkshanghai 4 years ago
Wow it sounds so different.
TheRealJadeSpade 4 years ago