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Radiohead - Let down - Powaqqatsi

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Uploaded by on Feb 6, 2008

Project on a music based editing. Cultural technology and communication. University of the Aegean

Original shots: Powaqqatsi
Music: Radiohead - Let down

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Uploader Comments (Faidwnas)

  • i had always ask myself if Philip Glass composed over the editing or the editing was done after the music?

  • @antonartaudify Usually the music is composed over the final edited version of the movies. I believe that this was the case for Powaqqatsi as well.

  • me.

  • Amazing.

    Beautiful editing.

    You have talent.

    And, yes, this song is so appropriate.

  • thank you very very much... Glad you liked it :-)

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All Comments (27)

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  • @Faidwnas Faidwna Like... "Evans"

  • magic

  • What building/complex is that at 0:34?

  • poly oraio telos

  • @antonartaudify Actually, on the DVDs, there is an interview in which Godfrey admits that he drove Glass nuts because he'd hand him "locked" film to compose and perform to, and then re-edit it after, which then Glass wanted to re write because he had specifically written changes to match the changes in tone of the films. Godfrey seems to have wanted less connection between audio and video. Maybe the emotions derived from the music were messing with the semiotics, or maybe Reggio was nutz ;)

  • bellissima canzone,bellissime immagini,un orgasmo visivo e sonoro!!!!!

  • bravo faidona exeis kanei poli kalh doulia - epidi tixeni na mou aresi poli afto to tragoudi to akouw sixna edw sto youtube kai ilikrina einai to kalhtero video apo osa pezoun - sou eixa stilei kai paliotera ena bravo - alla kathos eisai kai elinas aisthanome na sou to ksanapw to bravo file. exeis talento kane kai kana videaki akomA eimai sigouros oti tha to apolafsoume - xeretismata apo Athina .... na se kala na mas kaneis videakia

  • Well it seemed like the perfect project, to pick a whole film with non-stop spectacular shots, I think you lucked out for your source material ^^

    I can't recall the part with the bird & monk @ 2.20 though.

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