Llorando - Mulholland Dr. (10/10) Movie CLIP (2001) HD

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A singer (Rebekah Del Rio) collapses during a stunning performance of "Crying," but her singing continues.

TM & © Universal (2012)
Cast: Rebekah Del Rio, Laura Harring, Naomi Watts
Director: David Lynch
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Producer: Neal Edelstein, Joyce Eliason, Alain Sarde, Michael Polaire, Mary Sweeney
Screenwriter: David Lynch
Film Description: David Lynch wrote and directed this look at two women who find themselves walking a fine line between truth and deception in the beautiful but dangerous netherworld of Hollywood. A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles' Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty (Naomi Watts) to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her. Betty befriends the injured woman, who begins calling herself "Rita" after seeing a poster of Rita Hayworth. While Betty's audition impresses a casting agent, and she catches the eye of hotshot director Adam Kesher (Justin Theroux), Kesher's producers and moneymen insist with no small vehemence that he instead cast a woman named Camilla Rhodes. As Rita attempts to put the pieces of her life back together, she pulls the name Diane Selwyn from her memory; Rita thinks it could be her real name, but when she and Betty find a listing for Diane Selwyn and visit her apartment, they discover the latest victim of a mysterious killer who is eluding police detective Harry McKnight (Robert Forster). Rita's emotional identity soon takes a left turn, and it turns out that neither woman is quite who she once appeared to be. David Lynch originally conceived Mulholland Drive as the pilot film for a television series; after the ABC television network rejected the pilot and declined to air it, the French production film StudioCanal took over the project, and Lynch reshot and re-edited the material into a theatrical feature. The resulting version of Mulholland Drive premiered at the 2001 Cannes Film Festival, where David Lynch shared Best Director honors with Joel Coen.

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  Film & Animation

[billie chambers]

I am not David Lynch, but the answer to your question is, yes.

[John Cappello]

I always took this scene to represent the falsity of Hollywood and the entertainment industry. That it portrays itself as this beautiful industry that produces the highest quality work and will make a person a star and then a legend. But really, it's full of trickery and falsity. Like how she dies on stage and the music track continues to play.

Although I can see how that may also represent how an entertainer can die, but their work will survive them.

[ProjectRealism]

What's with David Lynch and having characters lip sync Roy Orbison songs?

[MadelineTopper]

The ambiance to this scene is beautiful.

[MadelineTopper]

I thought I clicked on the earlier clip of the man spitting out his coffee, and read your comment. This prompted the ultimate 'WTF' from me.

[Yelena Foley]

David Lynch...one of the greatest.

[TheEarthBelow]

The first half of the movie is Betty's dream, with all the characters from her real life in it.Then she wakes up into a dark reality of fantasy and nightmare, noting as she would like it to be.

[Lauralovestheatre]

This is one of those movies that stay with you for days after watching it...

[Razeal Nosgoth]

i always thought the first half was some sort of fantasy that the blond had to punish the brunette for being a shit human being as we see in the second half.

[JASCOBAR]

?I have to wonder what Roy would have thought.

[CicerotheDefender]

Society of the Spectacle?

[Deniz Demirtas]

Basically, she's (Betty) dreaming all of this fantastical shit to hide from her all-consuming, soul-destroying guilt.