I saw him sing Iago in Otello in Atlanta in 2001. He's awesome! Not just with his voice, but he gets into character really well and is really fun to watch.
I believe that Ellis had a wooden leg. His leg had been shot off in Viet Nam. Or am I thinking of someone else? I heard him the first time in Poppea as Ottone. This production was on a severly raked stage. He was then and is here a lyric baritone but then again Tamburini the originator of the role was a bass who couldn't sing Verdi baritone parts either.
In Poppea Alan Titus sang the tenor lead. He too went onto Verdi baritone roles.
I knew Brent Ellis well. I worked with him in Santa Fe where he sang lyric baritone roles like Marcello. He knew he was a lyric baritone and told me Ashton was the heaviest he would sing. However, over the years he began to sing heavier roles. He was essentially a strong lyric baritone. Many lyric baritones want to be Verdi baritones and end up pushing their voices. Many Verdi baritones want to be dramatic tenors. :) Brent sang Ford to my Falstaff in Aspen. But to me he is not a Verdi baritone.
I heard and saw Ellis live 24 years ago in Milwaukee with the Florentine Opera. He doubled Alfio and Tonio in Cav/Pag. His voice was large and powerful, with terrific thrust; "Il cavallo" sounded like continual blasts from a cannon. And his acting was effective -- extroverted in Cav, a little more understated in Pag. His Prologue to the latter was quite moving --
wow. I really like this guy. good point, ring throughout the voice. That is a HARD scene to sing, and I think he did awesome in it. Bravo Brent Ellis!
I sooooooo agree with you. This idea that a Verdian Baritone has to blow you out of the water with his sound is sooooooooo tacky!!! It is about beauty and style. Yes, there are some thick passages, and you need to have some power, but a true "listener" ultimately wants the beauty... not the "c*msh*t" of sound.
He is a quite good singer and performs this difficult scene very well. It is also very nice to see the right style of costumes for this opera, something that became very rare in our time!
I agree with the size of the houses in the USA. I live in NY and sang a few times at the State Theater (with NYCO), the size of the house is almost scary. The upcoming general manager at NYCO will do more acoustics "improvements"... let's hope for the best.
Anyway, over all, I like Brent Ellis, just not so much the kind of singer I prefer (like, as you say, Bastianini or Cappuccilli or Bruson, have you heard Bruson's Cruda Funesta? really wonderful) Ciao...
I saw him sing Iago in Otello in Atlanta in 2001. He's awesome! Not just with his voice, but he gets into character really well and is really fun to watch.
mantiXcore 9 months ago
@MaestroJosephShore
I believe that Ellis had a wooden leg. His leg had been shot off in Viet Nam. Or am I thinking of someone else? I heard him the first time in Poppea as Ottone. This production was on a severly raked stage. He was then and is here a lyric baritone but then again Tamburini the originator of the role was a bass who couldn't sing Verdi baritone parts either.
In Poppea Alan Titus sang the tenor lead. He too went onto Verdi baritone roles.
Agorante 2 years ago
I knew Brent Ellis well. I worked with him in Santa Fe where he sang lyric baritone roles like Marcello. He knew he was a lyric baritone and told me Ashton was the heaviest he would sing. However, over the years he began to sing heavier roles. He was essentially a strong lyric baritone. Many lyric baritones want to be Verdi baritones and end up pushing their voices. Many Verdi baritones want to be dramatic tenors. :) Brent sang Ford to my Falstaff in Aspen. But to me he is not a Verdi baritone.
MaestroJosephShore 2 years ago
impresionante! no entiendo las 4 estrellas y media, tendrían que ser 5 sin duda!
ENRICOASHTON 2 years ago
I heard and saw Ellis live 24 years ago in Milwaukee with the Florentine Opera. He doubled Alfio and Tonio in Cav/Pag. His voice was large and powerful, with terrific thrust; "Il cavallo" sounded like continual blasts from a cannon. And his acting was effective -- extroverted in Cav, a little more understated in Pag. His Prologue to the latter was quite moving --
stevevandien 2 years ago
wow. I really like this guy. good point, ring throughout the voice. That is a HARD scene to sing, and I think he did awesome in it. Bravo Brent Ellis!
baricoop 3 years ago
I sooooooo agree with you. This idea that a Verdian Baritone has to blow you out of the water with his sound is sooooooooo tacky!!! It is about beauty and style. Yes, there are some thick passages, and you need to have some power, but a true "listener" ultimately wants the beauty... not the "c*msh*t" of sound.
divobari2 3 years ago
What year was this production?
donatello1 4 years ago
He is a quite good singer and performs this difficult scene very well. It is also very nice to see the right style of costumes for this opera, something that became very rare in our time!
abgbddsg 4 years ago 2
I agree with the size of the houses in the USA. I live in NY and sang a few times at the State Theater (with NYCO), the size of the house is almost scary. The upcoming general manager at NYCO will do more acoustics "improvements"... let's hope for the best.
Anyway, over all, I like Brent Ellis, just not so much the kind of singer I prefer (like, as you say, Bastianini or Cappuccilli or Bruson, have you heard Bruson's Cruda Funesta? really wonderful) Ciao...
nisticom 4 years ago