"Torn Curtain" Fight w/ John Barry music

An originally unscored fight scene from the 1966 Alfred Hitchcock film "Torn Curtain" has been scored with the John Barry cue "Stalking" from his film score for "From Russia with Love". Enjoy! :)

P.S.: If you want to watch this in better quality, write &fmt=18 at the end of the link.

Category:

Film & Animation

Tags:

• Torn
• Curtain
• Alfred
• Hitchcock
• Paul
• Newman
• 1966
• John
• Barry
• James
• Bond
• 007
• From
• Russia
• with
• Love
• FRWL
• 1963
• film
• score

[enemyofbohemia]

Haha, nice. I made sort of a video tribute to the lady in this scene, because she's just so....crazy. And I used a John Barry cue from Thunderball for a few seconds.

[blofeld39]

Nice; thank you for the comment. :-)

[theymusthatetesla]

For fuck's sake, just hit the Stasi shit with the shovel!.....Jeez!

[blofeld39]

He does, indeed, and it really helps some of the weaker films he's scored, such as "Moonraker" or "You Only Live Twice", achieve some level of tension and beauty; that sort of scoring could have helped "Torn Curtain" immensely.

[drew102065]

One thing is for sure, Barry surely does have a trademark sound, doesn't he? ;)

[blofeld39]

I guess John Barry's scoring was ahead of its time, then. :-)

I also think the scene would have played out better without Gromek's stupid asides; hence, why there's no dialogue in my finished scene.

[blofeld39]

Believe it or not, John Barry was an excellent composer in his own right. ;-)

[bodywatch1]

torn curtain with james bond music - no!!??!!

[drew102065]

A good point but the fight sound efx are also a very effective method of scoring. In your version, the low strings work well as a motor but IMHO the brass hits are too much for the scene. The brass could be replaced by woods and viola arrangements and be a little more effective--but this is only my opinion. :) In today's films, I think your example would be required for the scene. A lot of directors today get nervous when there is no underscore...or not enough of it!

[blofeld39]

Really? If anything, I think the suble strings and horns as the woman picks up the knife and walks over to Gromek implies the suggestion that she knows what she's doing is wrong, but she has to do it, and it's THAT undercurrent of tension that was missing from both Herrmann and Addison's cues for the scene... which is why Hitchcock discarded both.