Michel Richard Delalande Symphonies pour les Soupers du Roy 5ºSuite La Grande Piéce Royal

Michel Richard Delalande (1657-1726)

Symphonies pour les Soupers du Roy

5ºSuite:

La Grande Piéce Royal.
Fantaisie our Caprice que le Roy demandoit souvent.
Un peu lent.
Doucement.
Gracieusement.
Gayament.
Vivemenet.

La Simphonie du Marais.
Hugo Reyne.

Les peintures sont de l'artiste Charles Le Brun (1619-1690)

Category:

Music

Tags:

• delalande
• symphonies
• soupers
• roy
• caprice
• louis
• xiv
• versailles
• le
• brun
• hugo
• reyne
• marais

[EAST56123]

i really love you video with good music and so many paintings.i love love it ,my good friend.well done.

[LULLYSTE]

Hello EAST56123:

This video has had the intention of bringing together a wonderful music dedicates to

Louis XIV with the works of the great painter of Versailles Charles Le Brun.

The following video with Delalande´music will be dedicated to Nicolas Poussin.

Saludos.

[LULLYSTE]

Thank you very much for your commentary.

I hope that you have enjoyed this video.

Saludos.

[Vic2Guem4]

@PTDRdu13 merci pour cette opinion constructive qui manifeste un souci certain de faire avancer la discussion.

Personnellement, j'aime bien cette pièce nostalgique et en même temps solennelle voire grave.

[TheMazuryk]

for a newer version of this piece, by the same conductor with a bass flute :

(see the video on this excellent french program, minute 54'54)

"La boîte à musique", Émission du 21 juillet 2011: Musique et cuisine

[templierderochemaure]

Le bonjour, que voilà musique plaisante!!! Je suis fort satisfait de voir que la musique, la grande musique, est appréciée à sa juste valeur.

[archangebleue]

Beautiful. Absolutely beautiful. Thank you.

[Markovich2]

This is one of the greatest pieces ever written.

[225gabi]

Toda la musica que pones y tus videos son una delicia. Enhorabuena

[baroquegenial2009]

very nice! thank you for this video- and the others too!

[bogandresca]

¡Qué grande y sublime el espíritu de la Francia en tiempos del rey sol!

[LindoroRossini]

Moreover, I find it absolutely wonderful that Delalande doesn't seem to be too preoccupied with the notion of writing for the King himself; thus, there is no truly overzealous movement, each one develops naturally: the fourth movement is, especially, proof of this: combining a lovely melody with a comical horn accompaniment.

Thank you again for a delightful experience :).

[LindoroRossini]

As per usual (judging, at least, from this series of concerts), Delalande provides numerous contrasts of charming musical ideas: I would especially mention (and this constitutes for me the highlight of a superb collection) the transition between the ornamental lines of the second movement and the "sleepy" andante that follows; though, again, it is difficult to single out anything in particular, as each piece works best as part of the complete concerto.