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Int'l Ballroom Paso Doble - Bryan Watson & Carmen Vincelj

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Uploaded by on Oct 8, 2006

International Ballroom Paso Doble - Bryan Watson & Carmen Vincelj

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Entertainment

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Standard YouTube License

  • likes, 11 dislikes

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Top Comments

  • i love this music-for me absolutely outstanding choice!!and the dancing is great but actually the years after they improoved more in this coreographie!i like their paso-its so clean and clear!

  • The music was a very good choice! I love Prokofjev. And a great paso!

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All Comments (44)

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  • Вообще в ритм музыки не попадают я сначала подумала что эта музыка была наложена на танец а танцевали они под другую,но нет .Мне не понравилось.

  • Oh! this is not a spanish Pasodoble. This is a Tango from Argentina.

  • every movement they make gives you goosebumps! it's like both of them dance inside the viewers.absolutely perfect!!!

  • does anyone know what the other two songs are?

  • Skewz, the first music is Sergei Prokofiev's "Dance of the Knights" aka "Montagues and Capulets" from his Romeo and Juliet ballet.

  • what's the title of the first music?

  • How can this Bryan guy be more manly?? What do you mean by that? The fact that Mike is more flexible and can more faster doesn't make him less manlier..

  • I agree, but it is not just that. It seems that Mike and Beata work harder on their dances, use more different moves, which need more skills to be able to perform. I am not being biased, I watched lots of ballroom dancers, and so far find Mike and Beata perform better. That's all. Not trying to persuade anyone, just stating my opinion. wrong audience, obviously.

  • Someone being gorgeous is not what dancing is about. Its the capturing of the dance and connecting the emotion

  • i think it's just personal preference, brian and carmen seem to be pretty traditional, while michael and beata, then, were very out of the box, different influences i suppose when it comes to showdance. I like both styles, but i must say, while this performance is very good, i somehow prefer allan tornsberg and serena leccadanza's version.

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