Michael Reeves and his works as the "Witchfinder General" (part 2)

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KerstinMonika
September 29, 2009

Michael Reeves (October 17, 1943 - February 11, 1969) was an English film director and screenwriter. He is best known for the 1968 American International Pictures/ Tigon motion picture Witchfinder General (known in the U.S. as The Conqueror Worm).

Reeves was born in Sutton, Surrey,and grew up in Suffolk, whose landscape made a deep impression on his best known film, Witchfinder General. His father died when he was young, but his mother was a devoted single parent. As a child he began making short films, some of which starred his lifelong friend, the actor Ian Ogilvy. As a boarder at Radley College he obsessively broke bounds to attend the cinema, and was utterly single minded about his ambition to work in film. Upon leaving school he turned up on the doorstep of his favourite director, Don Siegel, who promptly employed him as an assistant. Subsequently he worked in Italy, where he eventually directed La Sorella di Satana (1965; also called Revenge of the Blood Beast and also known in Italy as Il Lago di Satana). The film was made very cheaply, and is remembered for an appearance by horror icon Barbara Steele, of whose time Reeves was given four days. Back in London in 1966, Reeves made The Sorcerers, starring Boris Karloff, an effective 'swinging London' picture with supernatural overtones. Both films also starred Ian Ogilvy.

It's for his third and final movie, Witchfinder General, that Reeves is best remembered. He was only 24 years old when he co-wrote and directed it, but it is often called one of the greatest horror films that Britain has produced. Made on a very modest budget in East Anglia and adapted from the novel by Ronald Bassett, Witchfinder General tells the story of Matthew Hopkins, an infamous lawyer-turned-witchhunter who blackmails and murders his way across the countryside. Reeves imbues the film with a powerful sense of the impossibility of behaving morally in a society whose conventions have broken down, and though it is by no means free of the conventions of low-budget horror, it stands as a notably powerful and evocative film.[1]

Reeves wanted actor Donald Pleasence to play the title role, but American International Pictures, the film's co-financiers, insisted on using their resident horror star Vincent Price instead. This caused friction between the veteran actor and the young director. A famous story is told of how Reeves won Price's respect: Reeves was constantly telling Price to tone down his over-acting, and to play the role more seriously. Price eventually cracked, snapping: "Young man, I have made eighty-four films. What have you done?" Reeves replied: "I've made two good ones." Reeves continued to goad Price into delivering a vicious performance, and only upon seeing finished film did the actor realize what the director was up to, at which point Price took steps to bury the hatchet with Reeves. Witchfinder General was released to mixed reviews, one notably savage notice by Alan Bennett appeared in The Listener, but was soon reaccessed and gained generally favourable reviews.

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Michael Reeves and his works as the "Witchfinder General" (part 2)

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