The Troggs - Wild Thing

Remembered chiefly as proto-punkers who reached the top of the charts with the "caveman rock" of "Wild Thing" (1966), the Troggs were also adept at crafting power pop and ballads. Hearkening back to a somewhat simpler, more basic British Invasion approach as psychedelia began to explode in the late '60s, the group also reached the Top Five with their flower-power ballad "Love Is All Around" in 1968. While more popular in their native England than the U.S., the band also fashioned memorable, insistently riffing hit singles like "With a Girl Like You," "Night of the Long Grass," and the notoriously salacious "I Can't Control Myself" between 1966 and 1968. Paced by Reg Presley's lusting vocals, the group -- which composed most of their own material -- could crunch with the best of them, but were also capable of quite a bit more range and melodic invention than they've been given credit for.

Hailing from the relatively unknown British town of Andover, the Troggs hooked up with manager/producer Larry Page (who was involved in the Kinks' early affairs) in the mid-'60s. After a flop debut single, they were fortunate enough to come across a demo of Chip Taylor's "Wild Thing" (which had already been unsuccessfully recorded by the Wild Ones). In the hands of the Troggs, "Wild Thing" -- with its grungy chords and off-the-wall ocarina solo -- became a primeval three-chord monster, famous not only in its original hit Troggs version, but in its psychedelic revamping by Jimi Hendrix, who used it to close his famous set at the 1967 Monterey Pop Festival.

"Wild Thing" made number one in the States, but the Troggs' momentum there was impeded by a strange legal dispute which saw their early records simultaneously released on two different labels. Nor did it help that the band didn't tour the U.S. for a couple of years. As a consequence, the fine follow-up singles "With a Girl Like You" and "I Can't Control Myself" didn't do as well as they might have. In Britain, it was a different story -- they were smashes, although "I Can't Control Myself" had such an open-hearted lust that it encountered resistance from conservative radio programmers all over the globe.

The Troggs tempered their image on subsequent ballads, which utilized a sort of pre-"power ballad" approach. These weren't bad, and a few of them were British hits, but they weren't as fine as the initial blast of singles which established the band's image. "Love Is All Around," which restored them to the American Top Ten in 1968, was their finest effort in this vein. It was also their final big hit on either side of the Atlantic.

But the Troggs would keep going for a long, long time. In a sense they were handicapped by their image -- they were not intellectuals, certainly, but they weren't dumb either. They wrote most of their songs, and their albums were reasonably accomplished, if hardly up to the level of the Kinks or Traffic, containing some nifty surprises like the gothic ballad "Cousin Jane," or the tongue-in-cheek psychedelia of "Maybe the Madman." By 1970, though, they were struggling. They continued to release a stream of singles, most of which had a straightforward simplicity that was out of step with the progressive rock of the time, all of which flopped, though some were fairly good.

The Troggs' image as lunkheads couldn't have been helped by the notorious Troggs Tapes, a 12-minute studio argument that was captured on tape while the band were unawares. The Spinal Tap-like dialog helped keep their cult alive, though, and as punk gained momentum in the mid-'70s, they gained belated appreciation as an important influence on bands like the Ramones and (earlier) the MC5. They found enough live work (sometimes on the punk/new wave circuit) to keep going, although their intermittent records generally came to naught. In 1992, they rose to their highest profile in ages when three members of R.E.M., which had covered "Love Is All Around," backed the Troggs on the comeback album Athens Andover. ~ Richie Unterberger, All Music Guide

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[1962drob]

R.I.P. Reg Presley. You will always be the "Wild Thing".

[Foxrocs]

One of my favourite tunes!!! RIP Reg♥ You are gone but will never be forgotten and your music will live on forever in the hearts of all your rockin fans :)

[InTheArchivesAgain]

OMG, you are so funny, that has to be the funniest comment reply EVER, you really are a comic genius and a wonderful person I just admire you so much for coming up with that gem... or am i liar?? yes I am, fuck you moron, get a life, WHICH LIFE, a grown up one, WHO'S LIFE, your own, I bet your parents cry every day!!

[Sheldon Cooper]

which life .. or who'se life?

[JudgeJulieLit]

To paraphrase a standard epitaph on many auld headstones, "As I am now / So you shall be." Tempis fugit.

[JudgeJulieLit]

Der Deutsches Wort fur "lion" ist "Lowe." Als in das Lied "Der Lowe Schlaft Heute Nacht" (ware es ein Deutsches ubersetzung).

[InTheArchivesAgain]

fuck off idiot, get a life

[Sheldon Cooper]

their?

[InTheArchivesAgain]

what a moron, you said it's "a freedom of speech" and you can critisize everyone is entitled to a opinion, THEN MORON, you say, if you don't like it don't answer, WHERE'S THE FREEDOM OF SPEECH NOW, so you are saying you can say what you damn well like, but i can't, IDIOT

[jason75]

Hey pal its a freedom of speech, I can critisize people all I want. Everyone intitled to a opinion, you dont like it dont answer simple as that.

[InTheArchivesAgain]

It's ALWAYS BEEN ABOUT THAT, you "stuck in an era" people really piss me off, I'm a child of the Clash, Pistols, Siuoxie Sue and the Smiths, but I would never say "80s is the best bla bla" so you don't like rap, don't listen to it, I'm sure in the 60s, there was just as much you hated as you liked, don't critisize, people get old and boring, music doesn't

[InTheArchivesAgain]

It's so hard to grasp that these wild rocking young wild things are now either passed or in there 70s