Malévich 0,10 remake by Michel Goday & Jim Loomis

www.rememberkasimir.com/?lang=en Let us imagine that Malevich is today in Barcelona, 36 years old, and he finds himself at the threshold of Suprematism. How would he do an interpretation? Where would he situate his action, his interventions? Which spaces should he choose facing the usual reluctance of the official places for exhibitions, overruled every day more and more? He would probably choose the streets in order to be coherent with his discourse, to provoque the pedestrians and, therefore, the means of communications, and to show his work. To be able to impose his "art", would he follow the steps of Keith Harring, Basquiat, and others? May we speak in this case of a "guerrilla art" or a "communications art"? www.rememberkasimir.com

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