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Fat Kick Drum Recording Technique

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Uploaded by on Mar 21, 2010

http://www.prorecordingtips.com/ This video shows a professional technique to create a thick, full kick drum recording with minimal effort. This technique is used by pros in studios all around the world.

Fore more tutorials come visit this blog where we share and discuss a wide range of professional recording techniques.

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  • an sm57 on a kick drum? dude, have you ever looked at its frequency response chart? it picks up barely anything below 200hz..

  • Use the propper mic! I have 4 kick mics and never had the need for the sub mic.

    Also your Pro Tools audio engine needs a make-over

    Just about everything recorded on Pro Tools with their audio gear sounds sterile and thin.

    The use of sub kicks is a waste of time! When you mix, for commercial media, all those low freq. are rolled off.. If you don't want to blow consumers speakers.

    60hz - below that is a risk Specially if you are mixing on NS10 lol.

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  • I don't want to sound like a disgusting heathen or anything but if I wanted a quick (and dirty) way of fattening up a thin kick I'd just have a low frequency sine wave generator gated with the kick track. I'm sure this is amateurish but the results aren't half bad for 2 minutes of work

  • @Tradjectory Beta 52 IS a kick mic.. does not need help :)

    I rather use something called "Kick Port" on the reso head if I need extra lows ..

    I even have a video of the SM57 as a kick mic by it self A/B no special port adapter nor sub kick mics..

    check it out when U get a chance..

    Take care boss.. :)

  • @girotube The Shure Beta 52 sound better on Kicks, it works pretty well for the sub bass without a speaker

  • quick fix. Use sleishman drums. I've never used a sleishman kit that sounded bad.

  • also, a Beta 52 properly placed in a decent drum should sound a lot better than this. Personally, I've given it up for the N/D868 most of the time.

  • In anything but hiphop, sub 50hz energy is just eating headroom.

  • It is simply not the case that a larger diaphragm (or a large speaker in this case) is able to hear a lower range of frequencies. The Schoeps Microphone company came out with a paper about this years ago. Using a speaker like this will simply limit the higher range of frequencies. Driver-size definitely determines the lower end of the material in an amplification setting (bass amps, etc) . . . but not in terms of what is "capturable."

  • haha, this video might be good, but narrating and background music are just hilarious, seriously, i was waiting when this dude will stand up from his chair and starts chasing benny hill while explaining how he makes kick sounds fatter.

  • This seems like so much un needed work

  • Audix D6 - the answer to all your bass drum mic problems.

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