Stereo: http://br.youtube.com/watch...
George Frideric Handel (1685 - 1759).
Coronation Anthem No.1 for chorus & orchestra "Zadok the Priest" (HWV 258).
Zadok, the Priest, and Nathan, the Prophe...
Coronation Anthem No.1 for chorus & orchestra "Zadok the Priest" (HWV 258).
Zadok, the Priest, and Nathan, the Prophet, anointed Solomon King; and all the people rejoic'd, and said: God save the King, long live the King, may the King live for ever! Amen! Alleluja!
Choir of Westminster Abbey. The English Concert.
Dir: Simon Preston.
One of the lasts acts of King George I before his death in 1727 was to sign "An Act for the naturalizing of George Frideric Handel and others." Handel's first commission as a naturalized Britsh citizen was to write the music for the coronation later that year. The four anthems Handel composed for the coronation of King George II and Queen Caroline on 11 October 1727 have never lacked popular favour. They were repeatedly performed at concerts and festivals during his life and since, and he incorporated substantial parts of them, with little change except to the words, in several oratorios, notably Esther and Deborah. (Incidentally, two of them were performed at the opening concert of Oxford's Holywell Music Room in 1748).
Their success may have contributed to the popular image of Handel as a grandiloquent composer demanding huge forces of voices and instruments - the more the better - the figure stigmatised by Berlioz as a barrel of pork and beer! In fact Handel always matched his music to the occasion and the building for which it was written, and no occasion could be grander than a coronation. His ceremonial style in these anthems differs from his music for theatre in much the same way as the Fireworks Music, designed for performance outdoors, differs from the instrumental concerti. It is wholly extroverted in tone, dealing in masses and broad contrasts rather than delicate colour: he was not going to waste finer points of detail on the reverberant spaces of The Abbey.
The forces that he used were substantial for the period: an augmented Chapel Royal Choir of 47 and an orchestra that may have numbered as many as 160. The chorus is divided from time to time into 6 or 7 parts (the tenors remain united) and a large body of strings includes three (not the usual two) violin parts.
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@rh7189 Handel was indeed born german however he moved to england later in his life and later died there and therefore adopted the English spelling and pronunciation of his name as George Friedrich Handel (instead of Georg Friedrich Händel)
My friend I pronounced Hendel becouse when he come in Italy the italian people call him Hendel in Neaples also : ) So I always red Hendel, infact if you go on Wikipedia you can find this information
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He the German setting of "der Messias" works well.
It just makes me somewhat ill when people assume that it was "the original."
I'll forgive people for writing it with the diacritic when crediting him as the composer of the German version.
=)
So I always red Hendel, infact if you go on Wikipedia you can find this information