Intervals - John Cage and de (BV)

Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s - 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy's assassination called Rush to Judgment. After serving in the military during World War II, de Antonio frequented the art crowd, often associating with such Pop artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol, in whose film Drink de Antonio appears. De Antonio chronicled this art scene in his documentary Painters Painting (1972).

In 1959 de Antonio developed G-String Productions in order to distribute the Beat Generation film Pull My Daisy. It was at this time that de Antonio discovered filmmaking. His first film, Point of Order, a compilation film made in 1964, regards Joseph McCarthy and the Army-McCarthy hearings.

De Antonio went on to make many politically motivated films that attracted a substantial amount of controversy and also tended to align himself with Marxist thought. Most, if not all, of his films criticize aspects of American culture or politics or reflect a certain degree of political dissension, because of which, along with his Marxist affiliation, the FBI documented 10,000 pages of de Antonio's activities.

Camera: Morgan Wesson, Mathew Mindlin. 2nd Unit: William Rexer. Editor: George Spyros. Assoc. Producer: Michael Thomas. Special Thanks: Ron Mann

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• Emile de Antonio
• Hoover
• Morgan Wesson
• Mathew Mindlin
• William Rexer
• George Spyros
• Michael Thomas
• Ron Mann
• John Cage
• Intervals
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