Giuseppe Giacomini Esultate

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Uploaded by on Jan 25, 2008

Otello Verdi

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Music

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  • Great

  • Voce ampia e possente, ma acuti faticosissimi!

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All Comments (19)

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  • @jamesgatward1985 I agree!

  • @stevevandien

    Actually Giacomini is an Enigma. His high notes were at times amazing hugely powerful and well balanced up to a C#. If you watch Si Pel Ciel with Sherril milnes yo will see his power and even on the High A at the end which always was Milnes money note Giacomini practically drowns him out. unfortunately Giacomini's voice was tempermental in  any given night he could nail every note or wobble on every high note!

  • Oltretutto l'ultima frase "dopo l'armi lo vinse l'uragano" è cantata con un unico fiato. Che fenomeno della natura...

    Io ho avuto la fortuna di ascoltarlo più volte dal vivo, ma che nostalgia di non poterlo più fare adesso! Come ci manca una voce simile! Era davvero uno spettacolo nello spettacolo. Grande Bepi.

  • @vickersman You must be misinformed.DelMonaco was never a casualty of the Melocchi method, He was the best example of it& had a great career with many SIGNATUREroles such as,over 400 performances of Otello.Forza Chenier Aida Pagliacci Carmen Ernani were also other great accomplishments.MDM had excellent diction phrasing& was a master in the recitative.MDM sang for over 30years.Hardly a casualty in any stretch of the imagination.He also had the ability to thrill the public in his declining years.

  • Bel timbro...

  • I have to say this , Putze .

  • now THAT is a dramatic tenor. giacomini and vinay are the only ones I've seen who trully do this role justice. all the other ones are poser lyric tenors who don't have powerful voices

  • Giacomini certainly had the power, timbre and sheer thrust for the role. But his high notes are wobbly at best, at worst strained. Maybe he was better in this role earlier in his career -- if so, would like to hear recordings from that period.

  • Le posso assicurare che G. Giacomini, fra i tanti tenori drammatici, non è certamente uno di quelli con il registro acuto più problematico : non ha gli acuti di F. Corelli o F. Bonisolli ma, nella gestione del registro acuto, è decisamente più abile e disinvolto di tanti altri, primo fra tutti P. Domingo. Non so dirle se Giacomini sia in possesso o meno del " do di petto " ma le posso garantire che fino al si / si bemolle arriva tranquillamente, pur avendo una voce molto scura. Saluti.

  • Ce ne fossero oggi tenori come il Maestro Giacomini, grande voce, timbro brunito e squillo vivo, chi sa perchè si pensa sempre a Del Monaco come Otello, invece credo che questo tenore abbia ancora la voce più scura di tutti in assoluto tantoo più come Otello. MF

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