It seems as if you play sforzandi on every other note in the opening passage. The urtext is marked "cantabile", or singing. A singer would not, I think, heave with every other breath. The shifts are a bit sloppy, and you tend to slow down approaching more difficult passages, which interrupts the rhythm of the piece. Slow practice and finger-strength training are the best ways to approach this concerto. It is, after all, structured like an etude!
d minor...
syk209 2 years ago
EveJoanne this concert is not F major bud D major :-)
tiborbana 2 years ago
and this concert is not D Major but F major :]
EveJoanne 3 years ago
It seems as if you play sforzandi on every other note in the opening passage. The urtext is marked "cantabile", or singing. A singer would not, I think, heave with every other breath. The shifts are a bit sloppy, and you tend to slow down approaching more difficult passages, which interrupts the rhythm of the piece. Slow practice and finger-strength training are the best ways to approach this concerto. It is, after all, structured like an etude!
patrickforsyth 4 years ago
dont be so harsh! although you do need some work on parts... 8ves.... ends of phrases (chords)... expression. i hope you keep going in the future!
killallsk8terh8ters 4 years ago