This promotional short for Irving Mills' short-lived Master and Variety labels not only gives us a glimpse of Ellington and his band in the actual Master/Variety studios (as opposed to a soundstage...
This promotional short for Irving Mills' short-lived Master and Variety labels not only gives us a glimpse of Ellington and his band in the actual Master/Variety studios (as opposed to a soundstage set), but is one of the very few film accounts of how records were recorded, plated and pressed in the long-ago age of analog, shellac and 78 rpm. Narration is provided by pioneer radio announcer Alois Havrilla.
Like to rate videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Like to share videos with friends?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
This video has been removed from your Favorites. (Undo)
Like to Favorite videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
I'm trying to find out what tune was on the B side of the Ellington Orchestra record 'Take the A train', 78 rpm single, the first record I ever bought as a kid from a dusty record exchange in Edinburgh. It wasn't 'The sidewalks of New York', and must have been a different issue 78. Anyone know? BOPPPPER
If you sold enough copies, you'd need to make additional master copies, duplicated using gold from the original "silver" master. There are metallugical reasons for gold. This is the origin of the industry phrase "gold record" or "going 'gold'" because of sales.
They later "retired" the master as a plaque. If you didn't make the hurdle for gold on the production run but completed the production run on the silver master, you had a "Silver Record". Otherwise you'd have the "Gold Record" master.
Very true. So many modern records get the life squeezed out of them with endless takes, comping, looping, copying, pasting, auto-tuning, beat-detecting and so on, so forth. There's so much to be said for just getting the vibe right and then just capturing that vibe. There's something really magical about that. By the way, thanks for a fantastic post WhenSwingWasKing.
Great. And a nice piece, when considered in context. But not an accurate depiction of the way Duke Ellington, or any other band leader of the day would rehearse or record a band. The "suits" produced and directed this. Always beware of the commercial element before you buy hook-line and sinker. Clearly very much in control here....
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
They later "retired" the master as a plaque. If you didn't make the hurdle for gold on the production run but completed the production run on the silver master, you had a "Silver Record". Otherwise you'd have the "Gold Record" master.
Brew Lite