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Joe Alessi & New york Phil Trombone Section play Schumann 3

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Uploaded by on Feb 23, 2008

Schumann - Symphony No.3

Joe Alessi
David Finlayson
Don Harwood

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Music

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Top Comments

  • This conductor is the great Kurt Masur, who was the music director of the NYPhil for some time.

  • The technique, accuracy, and tone of this trombone section is astounding.

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All Comments (140)

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  • @milestoneman u lucky sob

  • @phrenqdog has steven reineke permanently taken his spot?

  • @pablito162 it's an alto trombone but im not sure what brand

  • Do you know what type of horn Joe is using for this piece? It looks to be a vintage medium bore horn.

  • @milestoneman Hey there! Im a 2010 TL Graduate and currently studying music and playing the trombone as a Sophomore in college. Joe's by far my biggest idol and would love to play side by side with him at some point... or at least take some lessons... He replied to an email I sent to him about a year and a half ago about a mural my friends and I painted of him and other great musicians we love. Must have been great to play in high school with him.

  • I played in high school honor band with Joe Alessi...

    

  • I played in high school honor band with Joe Alessi...

  • phil myers with hair....crazy

  • @GregTubaTownsend Everything. As I said, but u didn't listen, my comments pretty much reflect what Schu. himself wrote in his writings of this mov. He was inspired by the instillation of the Arch. in Cologne cath. He says so in his writings. Whether they reflect what I wrote I cannot say, but I'm in the ball park. Music of course can speak for itself--but in certain cases know. the b-ground of a piece of music & its insp. add to the enjoyment of it, ie--the Past. Sym.,  Ride of the Valk.

  • @windstorm1000 Yes, all listeners are entitled to interpretations, although I'm not sure what that has to do with what I said. I just think it's funny that you have so much to say on behalf of that which speaks without words. I also would like to add that the inspiration of art does not necessarily equate to its subject. As for your last words, if I were you I would reevaluate your idea of the existence of this mark. After all, it's all just individual interpretation, right?

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