Madonna mia pieta, by Orlando di Lasso. Performed by Early Music students from the Peabody Conservatory: Peter Lee, voice; Lark Powers, virginal; John Armato, lute; Kevin Shannon, Baroque guitar; A. Arceci, viola da gamba.
[1] having a very high natural broken voice, effectively a freakishly high tenor (called by the French "haute-contre"), that can sing in the low alto range - cf. Rodrigo del Pozo, Dan Auchincloss, Rogers Covey-Crump, Charles Daniels, Paul Agnew, Jean-Paul Fouchécourt.
[2] having a voice that never broke, and so singing soprano "naturally" - cf. Michael Maniaci, Radu Marian.
@dolofonos "O Thou That Tellest God Tidings to Zion" from the "Messiah" features the counter-tenor as soloist. I personally prefer counter tenor to the alto, as you said due to the richness of the timbre.
in general nice, but you do too many accents. The music don't flow.
Pity the virginal dont makes imitations: like the tenor "aqua madonna al foco": she only made scales. (finguering??)
This music is more beautiful whit the correct accentuation of the text, for ex: "Aqua" the accent in the firs A not in the second. The singer dont make any doble consonants. Wrong accents.
But really is a nice work, congratulation. Only a litle superficial. But, a very nice voice!
It's not so easy to appreciate in solo, but if you would listen to, in example, the Messiah, when performed by an all male choir in comparison to without then I think you should see the advantage. The male voice's timbre has a vigor befitting of that same character found in and worthy of the Baroque instruments.
Yes, it actually was fairly common back then. Its called being a counter-tenor. Much better tradition to follow compared to castrati, which from its name should give you a clue how THEY sang high notes...
Very interesting. Thank you for uploading.
isomolle 11 months ago
@DancingMonkey12 Indeed. There are two ways this can happen.
[1] having a very high natural broken voice, effectively a freakishly high tenor (called by the French "haute-contre"), that can sing in the low alto range - cf. Rodrigo del Pozo, Dan Auchincloss, Rogers Covey-Crump, Charles Daniels, Paul Agnew, Jean-Paul Fouchécourt.
[2] having a voice that never broke, and so singing soprano "naturally" - cf. Michael Maniaci, Radu Marian.
molealto 1 year ago
@dolofonos "O Thou That Tellest God Tidings to Zion" from the "Messiah" features the counter-tenor as soloist. I personally prefer counter tenor to the alto, as you said due to the richness of the timbre.
cromorne 1 year ago
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lildadecounty305 2 years ago
in general nice, but you do too many accents. The music don't flow.
Pity the virginal dont makes imitations: like the tenor "aqua madonna al foco": she only made scales. (finguering??)
This music is more beautiful whit the correct accentuation of the text, for ex: "Aqua" the accent in the firs A not in the second. The singer dont make any doble consonants. Wrong accents.
But really is a nice work, congratulation. Only a litle superficial. But, a very nice voice!
sorry for my English
santibarna 2 years ago
wonderful! :P
thesacrament77 2 years ago
It's not so easy to appreciate in solo, but if you would listen to, in example, the Messiah, when performed by an all male choir in comparison to without then I think you should see the advantage. The male voice's timbre has a vigor befitting of that same character found in and worthy of the Baroque instruments.
dolofonos 2 years ago
Ottima esecuzione eccellente!
musicantica 2 years ago
there are some rare cases where countertenors can sing in that register without falsetto.
DancingMonkey12 2 years ago
Yes, it actually was fairly common back then. Its called being a counter-tenor. Much better tradition to follow compared to castrati, which from its name should give you a clue how THEY sang high notes...
grantco1313 2 years ago