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Art was, is, will-be .. tape-011 ... (raw footage)

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Uploaded by on Mar 18, 2008

Tape 011

ART is _____________________? (fill in the blank)

(Opening Blurble follows this section)

The Bird Clock cage, etc..
==========================

Again, at the table discussing

Props and such (part 2)
much editing to be done..

Opening Blurble
===============


We all know what film is, and we know what
"a film" is (a movie), and we know what a
documentary film is, and so forth.

And we know what film can be used for both
in traditional theathre or more modern uses.

However, in my ever a-tilt windmills search
for the idea of FILM as art object - in the
same way that a painting is an art object.



Some of the stuff that i've been writing about
this on these pages:


...(at times it all seems such a mish-mash that
i think to give up. alas, the tragedy is that
i can not....

http://www.angelfire.com/art3/fleeding/ah/performed-art-filmed.html

oh, well onward into the fog!!!!!

frank

Category:

Film & Animation

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  • Part of the problem (if there IS one) in playing in film vs theatre (or other perf work) is how to SCALE the perfomance.

    The film captures every nuance, theatre - esp in the "back rows" - you have to PROH-JECT your voice and gestures.

    c'est la vie; c'est la le follie?

  • Tape-011 of a series in art and film production - theory and practice. Starting the discussion of maquette's (prop aramatures, etc) as "chars" in a film. The goal here is modern animation (as well as traditional stop-action, etc) techniques. Don't over act: The camera (esp more than live theatre/performance) captures 100 x more than you expect so over-acting really doesn't work; eg, Janeane Garofalo's role in "Mystery Men" underplayed her part which turned out to be exactly what was required.

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