For many years this aria meant for me Callas. Any other singer I couldn't stand in this piece... and then, I heard Renata Scotto. She sings it absolutely in her own way and this way is wonderful...
For many years this aria meant for me Callas. Any other singer I couldn't stand in this piece... and then, I heard Renata Scotto. She sings it absolutely in her own way and this way is wonderful...
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callas has the suffering, the ecstasy in her voice.... this version is beautiful, but it does not transfix the listener like callas does. i am not a big callas fan, but this aria belongs to her.
But there is a "little" mistake : she says "tu non sei morta" --- "morta""dead" instead of "sola"alone" .... but it happens ... no problems at all ... she is WONDERFULL !!!
i wouldnt describe scotto sound as smooth or comforting.....she is the queen of "squillo" and verismo singing....my favorite soprano......but not a smooth voice.....renee fleming has a "smooth and comforting voice"
Glauce's aria was not cut! And she sounds great in that aria. How terribly campy/bitchy of you to think that whatever distortion you have of that story, now over 50 yrs old, would be relevant to this great rendition of La Mamma Morta. Please give the rest of us a break. That was old 30 years ago.Yawn.
OMG... this is truly one of the best recordings I have heard of her.. she sings this as though love was caressing her in stead of directing her like in Callas.. .I love them both.. but this one.. is so much more "comforting" if that makes any sense... and I have to say this that I am not a big fan of Scotto and Callas.. Scotto because of the sound at 436... I saw her live and that sound is just not great.. it is wonderful.. not great... just an opinion.
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