Heinrich Ignaz Frans von Biber (1644-1677)-Partia VII in C minor
for two viole d'amore and basso continuo
from Harmonia artificiosa-ariosa: diversimode accordata, Salzburg 1696
I. Praeludium: Grave - Presto - Adagio - Presto - Adagio - Poco presto - Più presto - Adagio - Presto
II. Allemande
III. Sarabande
IV. Gigue:Presto
Il Giardino Armonico
Enrico Onorfi, Marco Bianchi - viole d'amore
Giovanni Antonini - tenor chalumeau, tenor chalumeau
Vittorio Ghielmi - bass and tenor violas da gamba
Luca Pianca - archlute
Michele Barchi - gravicembalo and organ
@TheLolzalol
I couldn't've put it any better.
Zappyguy111 2 years ago 3
There is something immensely reflective (almost subilminally) about biber's instrumental work on the soul, though i can't quite put my finger on it. The music reminds one self that although we may get bogged down in everyday life, the mundane, still there seems to be an incomprehensible purpose supporting, guiding us, exactly where we need to be in the overall picture that is life.
TheLolzalol 2 years ago 4