Richter plays Bach: WTC1 No. 18 in g sharp minor BWV 863
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I just love ALL of these - Please try and complete the whole set VERY SOON - And thanks for all the very hard work you have put in to make these truly magical pieces become even more entertaining.
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just realising how much beethoven was influenced by this stuff..
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All Comments (52)
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Why did you play the last accord moll, in the notes last accord is dur!
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@pierrot79 : Bach was a composer of fundamental proportions. When one studies Chopin one detects a foundational aspect from Bach.
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@hhhnightmare the predictability of the Tierce de Picardies can become wearisome (to modern ears) after a certain number of minor key movements...
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@Pianoplayer002 For Bach and his contemporaries, tonalities have a meaning of their own, due to the temperament (enlarged or shortened fifths in particular). A fugue in D minor couldn't be transposed in d sharp minor without losing the intent. The fact is very few people in history can pretend mastering music as Bach ... thus it not surprising we cannot see why he would use D sharp instead of e flat.
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Prelude is played too fast but still nice. Quaver = 100 to 110 would be fine.
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why is there a B-sharp written at the final bar, when it´s crearly a B natural that´s played??
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I thought all the pieces in WTC 1 ended in major...
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Like Bach (and I've played this particular prelude & fugue, one of my favourites) but could never stand how he finishes most of his minor-key pieces in the tonic major. Sometimes when I play them I just end in the proper minor key anyway, the score be damned - hey, artistic licence :)
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@tothemax91 There are times in the study of music, where I just have to accept things as how they are instead of questioning them. Sheet music is really just a map written in another language. I read it, I move to the next interval and I play it.



Okay, can someone please tell me why Bach has written his 8th prelude and fugue in D♯ minor, (this applies to this aswell). As if he was modulate to the D♯ major (quite possible, I am unsure wether he does or not) which contains five sharps and two double sharps, I can then envisage the use for a triple sharp as an accidental which is to say uncommon :), for example used in leading note, as well as ridiculously hard to read. So why such a key?!
tom
tothemax91 3 years ago
I am not sure I understand what you are talking about, but as far as I know the reason for the d# minor fugue to be written in d sharp minor and not e flat minor is that he first wrote the fugue in d minor and didn't want to rewrite all the notes, so he simply put some sharps at the approperiate places, and voilá, fugue in d sharp minor ;)
Pianoplayer002 3 years ago