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Maestro Heifitz did vary the speed greatly, and it is much faster in places than I'm used to. Some people have actually called his approach in this recording "cold" and "unemotional," but to me it is a very emotional performance. It's all in the mixture: the quickly played "throw-away" phrases and the sweet, achingly delicate phrases that follow, tell the story. It is so beautiful, it brings tears to the eyes and makes the throat catch.
this is just wonderful.... like waking up in a green field with birds, after a warm night.
I like how he played the theme once before the last time... it's not written like that in the music, but it goes so well with the piano part (which is in the music)
also, the piano did some improv in the last few measures that was good
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I like how he played the theme once before the last time... it's not written like that in the music, but it goes so well with the piano part (which is in the music)
also, the piano did some improv in the last few measures that was good