Joseph Szigeti plays Beethoven Vn Concerto in D major,Op61, 1mov 1/3.wmv

1mov.Allegro ma non troppo
violin:Joseph Szigeti
cond:Erick Tuxen
orch:Danish Radio Symphony Orchestra
date:4.10.1956,live

Category:

Music

Tags:

• Joseph
• Szigeti
• plays
• Beethoven
• Vn
• Concerto

[MrGer2295]

Joseph Szigeti (Hungarian: Szigeti József, Hungarian pronunciation: [ˈjoːʒɛf ˈsigɛti]) (September 5, 1892 – February 19, 1973) was a Hungarian violinist. Born into a musical family, he spent his early childhood in a small town in Transylvania.

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[MrGer2295]

He quickly proved himself to be a child prodigy on the violin, and moved to Budapest with his father to study with the renowned pedagogue Jenő Hubay. After completing his studies with Hubay in his early teens, Szigeti began his international concert career.

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[MrGer2295]

His performances at that time were primarily limited to salon-style recitals and the more overtly virtuosic repertoire; however, after making the acquaintance of pianist Ferruccio Busoni, he began to develop a much more thoughtful and intellectual approach to music that eventually earned him the nickname "The Scholarly Virtuoso".

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[MrGer2295]

Following a bout of tuberculosis which required a stay in a sanatorium in Switzerland, Szigeti settled in Geneva, where he became Professor of Violin at the local conservatory in 1917. It was in Geneva that he met his future wife, Wanda Ostrowska, and at roughly the same time he became friends with the composer Béla Bartók. Both relationships were to be lifelong.

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[MrGer2295]

From the 1920s until 1960, Szigeti performed regularly around the world and recorded extensively. He also distinguished himself as a strong advocate of new music, and was the dedicatee of many new works by contemporary composers.

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[MrGer2295]

Among the more notable pieces written for him are Ernest Bloch's Violin Concerto, Bartók's Rhapsody No. 1, and Eugène Ysaÿe's Solo Sonata No. 1. After retiring from the concert stage in 1960, he worked at teaching and writing until his death in 1973, at the age of 80.

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[MrGer2295]

Szigeti's performing technique was not always flawless and his tone lacked sensuous beauty, although it acquired a spiritual quality in moments of inspiration ... Szigeti held the bow in an old-fashioned way, with the elbow close to the body, and produced much emphatic power, but not without extraneous sounds. Minor reservations, however, were swept aside by the force of his musical personality.

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[MrGer2295]

Mr. Szigeti has a rather small but beautiful tone, elegance, finish. He played with a quiet sincerity which grew upon the audience, though not with the virility and sweep that other violinists find ... it is clear that Mr. Szigeti is a player to command esteem and respect for his musicianship, for the genuineness of his interpretations, and his artistic style.

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[MrGer2295]

Szigeti also offers a lengthy and detailed explanation of his approach to violin technique. He believed that a violinist should be concerned primarily with musical goals, rather than simply choosing either the easiest or most impressively virtuosic way to play a certain passage.

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[MrGer2295]

 He was particularly concerned with tone color: he advised that “The player should cultivate a seismograph-like sensitivity to brusque changes of tone colour caused by fingerings based on expediency and comfort rather than the composer’s manifest or probable intentions.

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