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Adagio in E - Frank Bridge

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Uploaded by on Aug 17, 2007

No. 2 of Three Pieces by Frank Bridge

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Music

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Uploader Comments (lyndon1904)

  • was it tough to do without a crescendo pedal?

  • Not really. Crescendo pedals are fairly rare on English organs, so what you've never had you don't miss!

  • i'm not saying you've missed it, the piece calls for a crescendo pedal so i was just wondering.

  • It doesn't in my copy. It just says 'cresc.' at one point. I have taken that to mean what it usually means, a crescendo obtained by judiciously adding stops and using the swell pedal (I'm assuming that by 'crescendo pedal' you mean one that adds stops - there is, of course, a swell pedal which opens and closes the shutters on the swell box. Crescendo Pedal has a different meaning in the UK).

  • Superb execution!!!

    Before you I knew only the version played by Michael Murray on Salisbury cathedral organ.

    Bravo!!!

  • Thank you very much for your kind comments. I have three Frank Bridge pieces in one volume, all very well-written. I must learn the other two!

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All Comments (23)

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  • Beautiful :) Greatings from Poland :)

    Have you got any notes? gostek102(@)wp.pl

  • I really enjoyed it. I am learning it for Grade VII Associated Boards. Inspired to keep trying. thank you!

  • That was very, very beautiful. Thank you.

  • a favorite organ work of mine ... wonderful performance. bravo!

  • I agree too! i have been playing for many years, and there is not one piece that i used the crescendo pedal. I can program my crescendo pedal there are four levels of memory to program 4 different combinations, and i still dont use it, the only time i do is if i am doing a last min. Improv ha ha

  • 100% agreed.

    I never use them either. I try not to use pistons either if I can help it.

    It's perfectly possible to play the last page of this piece without using a crescendo pedal if you can be bothered to sit there with a pencil and choreograph what you need to do.

  • You did it the RIGHT way...WITHOUT a crescendo pedal. They are unpredictable and sloppy. I always create my own crescendo sequence using pistons. Well done!

  • Not necessarily: the sequence of stops being added (and then subtracted) can be less than suitable compared with what a given piece may call for - not to mention how a particular instrument may fare with a preset sequence (not that many organs are equipped with adjustable crescendo-sequences!).

    Having LOTS of pistons (the buttons beneath the manuals, with a few sometimes - as here - above! - as well as toe-studs) is much more of a help with works requiring many colour and dynamic changes!

  • emm i see that you wrote "he himself didn't have one" - he was not an organist!!

  • either way, the crescendo pedal makes it a hell of a lot easier lol. easier than physically pulling the stops.

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