Fritz Busch/BBC - Mozart Symphony #36 Linz mvt 3

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Uploaded by on Jul 21, 2010

Menuetto

Recorded March 5, 1934, Abbey Road Studios

Symphony No. 36 in C major, K. 425, "Linz"

On their way back to Vienna Wolfgang and Constanze stopped in Linz, where they stayed for more than two weeks as gusts of Count Thun, whose daughter-in-law was one of Mozart's Viennese piano pupils. Toward the end of that sojourn Mozart, who had a talent for drawing, sketched one of the paintings in the Count's palace and presented it to Constanze with the mock-serious inscription, "Dessiné par W.A. Mozart Linz ce 13 novembre 1783; dédié à Madame Mozart son épouse." Of the music he composed in Linz, and the hospitality he enjoyed there, he wrote to his father with some excitement on October 31:

When we arrived at the gates of Linz, a servant was standing there to conduct us to the Old Count Thun's, where we are still living. I really cannot tell you how they overwhelm us with kindness in this house. On Thursday, the Fourth of November, I am going to give a concert in the theater, and, as I have not a single symphony by me, I am writing away over head and ears at a new one, which must be ready by then.

The Symphony in C major was composed for that occasion, apparently in the incredibly brief period of four days


Fritz Busch (1890-1951) was born in Siegen, Westphalia, Germany, studied first locally and later in Cologne with Fritz Steinbach. After appointments in Riga (1909), Aachen (1921), Stuttgart (1918-22) as General Music Director, he was appointed to Dresden State Opera, where for a decade he raised the musical standards to a high level. Busch, who was vehemently opposed to the ethos of Hitler and the Nazi Party, resigned in 1933. He then worked in Buenos Aires (1934-36 and 1941-45) and the Metropolitan Opera in New York (1945-49). It was his achievements at Glyndebourne from 1934 to 1939 and 1950-51, however, which have kept his name alive. His testament as an outstanding Mozartian is exemplified in his recordings of the three Da Ponte operas, allied to memorable performances of both Verdi and Wagner. He was also much admired as a symphonic conductor. He was the brother of the violinist Adolf Busch. ritz Busch (1890-1951) was born in Siegen, Westphalia, Germany, studied first locally and later in Cologne with Fritz Steinbach. After appointments in Riga (1909), Aachen (1921), Stuttgart (1918-22) as General Music Director, he was appointed to Dresden State Opera, where for a decade he raised the musical standards to a high level. Busch, who was vehemently opposed to the ethos of Hitler and the Nazi Party, resigned in 1933. He then worked in Buenos Aires (1934-36 and 1941-45) and the Metropolitan Opera in New York (1945-49). It was his achievements at Glyndebourne from 1934 to 1939 and 1950-51, however, which have kept his name alive. His testament as an outstanding Mozartian is exemplified in his recordings of the three Da Ponte operas, allied to memorable performances of both Verdi and Wagner. He was also much admired as a symphonic conductor. He was the brother of the violinist Adolf Busch.

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