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Heitor Villa Lobos Etude No:2

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Uploaded by on Sep 17, 2006

Second one of the twelve etudes composed by Brazilian composer Heitor Villa Lobos

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Music

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Standard YouTube License

  • likes, 16 dislikes

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Uploader Comments (CemGunenc)

  • Good Job Cem Kardes, parmaklarin biraz daha minimal hareket edebilse (her iki elde de) isin daha kolaylasabilir, tebrikler. Lobos'un butun etudlerine yer verip sonuna da "Turkish Guitarist" diye ekleme yap bence.

  • Keske herkes sizin gibi yapici elestiri yapsa.Inanin bazı insanlar sadece zarar vermek beni yaptigim isten sogutmak icin yazilar yaziyorlar.

    Sitemi de ziyaret etmeyi unutmayin lutfen :) w w w. myklasikgitar. c o m

  • thx roger for beautiful energy from portugal

Top Comments

  • Fine performance. Don´t worry, Segovia only chose the etudes he could play. This one, unfortunately, was not one of them.

  • FYI you don't have to play this piece to criticise it.

    Do you have to have built a car before you can say it doesn't drive well?

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All Comments (63)

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  • @sdmiz same, I think its the general rigid rhythmic structure of arpeggios. Plus there are a few diminished arpeggios, thats pretty bach-ish

  • reminds me alot of bach for some reason

  • hi, very very good performance

  • can you tell me what tempo you are playing at becuase i can play it at bpm 75 but any faster and i screw up soo badly

    is it better to play it fast?

    because every video i ve watched goes at 120 allegro except yours?

  • Good sound.Just cant help thinking you can do it faster..I am shure , cause you are very clear

  • nice work

  • I'm kind of disappointed that someone would say that the piece would be crap on an electric guitar. I'm finished a transcription for this piece for electric guitar and I think with the right technical approach it can be made to sound beautiful and challenge the player, like an etude should do. The etude sounds better on a classical guitar but I think the piece itself, consisting mainly of arpeggio formations, can be delivered on just about any instrument.

    Great rendition of a real tough piece!

  • Another wonderful VL performance! Great tempo too. And you pull off the ending nicely too, even though you did not employ the specified three harmonic chords. (Combination of natural and artificial harmonics. Check out Bream, as he made correct sense of the confusingly written final bars' notation in his recording.)

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