Elvis Costello and the Attractions performing "Man Out of Time" in 1982. From the album Imperial Bedroom.
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So this is where he came to hide
When he ran from you
In a private detective's over...
Elvis Costello and the Attractions performing "Man Out of Time" in 1982. From the album Imperial Bedroom. ----- So this is where he came to hide When he ran from you In a private detective's overcoat And dirty dead man's shoes The pretty things of Knightsbridge Lying for a minister of state Are a far cry from the nod and wink Here at traitor's gate
'Cause the high heel he used to be has been ground down And he listens for the footsteps that would follow him around
To murder my love is crime But will you still love A man out of time
There's a tuppeny hapenny millionaire Looking for a fourpenny one With a tight grip on the short hairs Of the public imagination
But for his private wife and kids somehow Real life becomes a rumour Days of dutch courage Just three French letters and a German sense of humour
He's got a mind like a sewer and a heart like a fridge He stands to be insulted and he pays for the privilege
(chorus)
The biggest wheels of industry Retire sharp and short And the after dinner overtures Are nothing but an after thought Somebody's creeping in the kitchen There's a reputation to be made Whose nerves are always on a knife's edge? Who's up late polishing the blade?
Love is always scarpering or cowering or fawning You drink yourself insensitive and hate yourself in the morning
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Reading these comments, just want to weigh in and say I think IB has little to do with the ridiculous "incident" and instead is a very personal album about his divorce from his first wife.
Actually it was the 'Get Happy' album that was his first album since the 'incident'. Listen to the song 'Riot Act' from the album, for something personal and apologetic.
Yes, in fact right after posting my message I took a few minutes to Google the whole things, as I mentioned below, and I saw the discography of the period. Thanks for the correction. However, I still think his definitive statement of humility and penance was "Imperial Bedroom".
Excuse my ignorance, but I am a little puzzled by your opinion as I cannot find a statement of humility and penance on 'Imperial Bedroom' when the 'Get Happy' album is basically made up of mostly soul music which alone could be seen as Elvis saying he was sorry AND including 'Riot Act' at the end of the album as a kind of summing up. Where is the comparison on 'Imperial Bedroom? In the 'Get Happy' liner notes clear indication as to the songs' meaning is given .
I have no wish to debate something that's so subjective; how a song or a whole album resonates emotionally with someone is a very personal thing. Many songs on "Imperial Bedroom" strike me as relentlessly self-critical (Beyond Belief, Boy with a Problem, Man Out of Time, Town Crier, etc.), and the other songs contain many oblique and subtle bits of same. To me, that is; in my opinion, as you rightly put it. (continued)
continued) If you don't perceive the same things, fine. The album carries a different meaning for you. I can tell you this whole album seared its way deep into my soul back in 1982 when I was going through my own period of fierce self-recrimination. Maybe that colored my perceptions. Let's let it rest there.
Subjectivity is, of course, for the birds, however, I tried to base my point on fact and not feelings because many of those songs you describe typify a lot of Elvis' work in the early days anyway. "Guilt and revenge" was like a 'call to arms' quote from Mr Costello back then. Oh well, there you go.
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Lots of talk about finer things and then alot of references to the street and one man struggling in the middle to sort it out.
That's what I always thought - I could be completely wrong, haven't really researched it.