Anner Bylsma; Bach Cello Suite 4, Sarabande

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Uploaded by on Nov 17, 2009

Anner Bylsma plays the Sarabande to Bach's Cello Suite No. 4 in E flat Major, BWV 1010

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  • "I simply don’t buy the argument that we string players must sing more because we have to play in bigger halls. In a well-designed hall, you can play with much nuance, and the audience will hear it clearly. We need to stop making excuses for insensitive playing. The music must come first!" - Anner Bylsma

  • TJ: You assert that slurs have become more of a necessary evil than a way of expression. You lament that we want more tone, more singing, and therefore speak less with our instruments. What's wrong with singing?

    AB: There's nothing wrong with singing, but I can’t stand the modern way of opera singing, where you cannot understand the words. The modern way is more bellowing than singing. I hate bellowing, since it all sounds the same after awhile. Modern string players also bellow too much.

  • "Bach’s music is about counterpoint. You destroy the sense of counterpoint when you take the various voices and squash them into a single line. Without counterpoint, the genius of Bach is buried." Anner Bylsma

  • wonderful

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