Elisabeth Musical Part Eighteen (English Subtitles)

FINAL PART
Der Schleier fällt and Schlussapplaus from Elisabeth the musical.
Wow, it's all over now.

I hope you enjoyed it as much as I did! Stay subscribed for some more musical goodies soon!


Credits
Book and Lyrics -- Michael Kunze
Music and orchestration -- Sylvester Levay
Staging -- Harry Kupfer
Set -- Hans Schavernoch
Choreography and Musical Staging - Dennis Callahan
Costume -- Reinhard Heinrich
Light -- Andre Voller
Sound -- Erich Dorfinger
DVD produced by Martin Bohm, Ludwig Coss and Wolfgang Hulbig/VBW for hitsquad productions

Johann Ebert -- CROWNPRINCE RUDOLF as a child
Dennis Kozeluh -- DUKE MAX IN BAVARIA, Elisabeth's Father
Luzia Nistler DUCHESS LUDOVIKA, Elisabeth's Mother
Fritz Schmid -- ARCHDUKE RUDOLF, Elisabeth's Son
Else Ludwig -- ARCHDUCHESS SOPHIE, Elisabeth's Mother-in-law
Andre Bauer -- EMPEROR FRANZ JOSEPH, Elisabeth's Husband
Serkan Kaya -- LUIGI LUCHENI, Elisabeth's Murderer
Mate Kamaras -- DEATH, Elisabeth's lover
Maya Hakvoort -- ELISABETH, Empress of Austria

Conductor
Caspar Richter

Played by the orchestra of the Vereinigte Bühnen Wien

Ensemble
Helene of Wittelsbach, Elisabeth's Sister -- Sigrid Brandstetter
Governess -- Andrea Malek
Countess Sztaray -- Vivianne Voge
Mary Vetsera -- Lisette Groot
Miss Windisch, a lunatic -- Nadine Hammer
Countess Esterhazy -- Kerstin Ibald
A lady in waiting -- Ruth Kraus
Madame Wolf -- Luzia Nistler
Fanny Feifalik, Elisabeth's Hairdresser -- Tina Scholtzke
Baron Hubner, Viennese Capitalist -- Bjorn Breckheimer
Count Grunne, Imperial Adjutant General -- Fernand Delosch
Baron Kempen, Police chief -Noud Hell
Prince Schwarzenberg, minister -- Robert D. Marx
A Hungarian Noble -- Attila Serban
A Professor -- Lars Stockmann
Maximilian of Mexico -- Steven Scale
Cardinal Archbishop Rauscher -- Henrik Sehnert
Death Angels -- Claudia Kraxner, Rita Sereining, Melanie Gemeiner, Murray Grant, Dominik Buttner, Akos Tihanyi
Production Manager -- Robert Wann
Dance Supervision/Choreography Assistence -- Doris Marie Marlis
Dance Captin -- Liane Katie Maynard
Stage manager -- Cathrin Hauschildt
United Stages of Vienna
Executive Director - Franz Haussler
Director -- Kathrin Zechner
Director -- Sven Offen
Production Supervision -- Bernie Boess Filmproduktion
Production Coordinators -- Albert Pauser, Peter Pansky, Eva Bohm
Video Mobile Euro TV -- Gunther Polder
Sound Recording Engineers -- Martic Atomic Bohm, Peter Brandt
Assistant Recording Engineers -- Michael Tuschek, Chris Kuchner, Klaus Gruber
Recording Mobile Eurosound
Video Editing and Graphics -- Bernie Boess
Mixed at -- MG-Sound

Category:

Entertainment

Tags:

• Elisabeth
• Musical
• Part
• eighteen
• English
• Subs
• Der
• Schleier
• fällt
• Schlussapplaus
• credits

[humansRpepul2]

So Mate's Der Tod doesn't carry her off....he leaves her and slinks away while the minions pull her into blackness. That's pretty brutal, and VERY different from Pia/Uwe's ending.

[raggastebba]

YOU ROCK :D

[ValtronW]

That was ridiculously good.

[dkf315]

it would be nice if he did carry her off but the concept of him leaving her to his minions is great too since he love and hate her at the same time.

[chickflickfreak]

Thank you thank you thank you sooo much for putting up the whole thing with English subtitles. I am going to see this tomorrow, and while I know most of the songs already, I do not speak German fluently, so this has been amazing in helping me to know exactly what is being said and sung so I can enjoy the performance that much more. Again, thank you so much!!

[41561g]

Thank you do much for this musical upload !!!!! ^^

[iankunx]

I used to hate this ending, then an alternate interpretation occurred to me. Who isn't in the prologue? Elisabeth. Why? Because she's not restless, or chained to her life. She found her freedom in the end, she finally was able to be with the being she'd loved her whole life - And in that moment of personal triumph, she finally truly escaped, and her soul moved on.

Looking at it that way, whether it's the intention of the ending or not, it changed it to my favorite ending. :D

[laismteodoro]

Thank you so much!

[obessedbookwormA2Z]

I am currently doing a project on the Enlightenment and this really brought into focus the conflict they were talking about with the austrian empire being a driving force behind it all

[obessedbookwormA2Z]

sorry...ran out of room...2 questions...#1 what ever became of her 2nd daughter, the one that did not die, and has this ever been performed in America or England to your knowledge? again THANK YOU SO MUCH FOR THIS!!! I know it took a lot of time to do, especially as a college student

[obessedbookwormA2Z]

WOW! just...wow...This was one of the most amazing stories I have ever seen and I don;t know how to tahnk you enough for translating this. I understand German and am able to speak it somewhat, but the subtitles helped enormously. I could not help but admire her strength and yet cursing her for her stubbornness in the desire to be free. I really felt like I was there in 19th cnetury Europe expereincing this story. I really do not know how to thank you enough!!!!! 2 questions

[spiderwrist]

Thank you, thank you, thank you so much!! I love this musical, was introduced to it through Takarazuka, but this version is magnificent as well. In any case since I can't speak either Japanese or German I never really had all the details of what was going on. Everything is so much clearer (and more tear-jerking) now.

Thank you so much!