Despite his output of only slightly more than a dozen compositions, Edgard Varèse is regarded as one of the most influential musicians of the twentieth century. His concept of "organized sound" led to many experiments in form and texture. He was constantly on the lookout for new sound sources (working throughout his life with engineers, scientists and instrument builders), and was one of the first to extensively explore percussion, electronics, and taped sounds. He was, as Henry Miller called him, "The stratospheric Colossus of Sound."
Varèse and his music received much attention in the 1960s. His works were widely performed, recorded and published, and he received honors from the National Institute of Arts and Letters and the Royal Swedish Academy. He also won the first Koussevitzky International Recording Award in 1963. But Varèse wrote little music during these last years. His final work, the unfinished Nocturnal (with text by Anaïs Nin), was performed at a tribute concert in 1961 and completed years later by composer Chou Wen-chung.
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