Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Walter Gieseking plays Scarlatti Sonatas

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
4,916
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Mar 14, 2010

Sonata in E Major, L. 23
Sonata in E Minor, L. 275
Sonata in D Minor, L. 413
Sonata in D Major, L. 424

Recorded some time during the 1940s


As not infrequently with Gieseking, these are played sans repeats. Still, his Scarlatti playing was remarkable enough to inspire the following masterpiece from America's arguably greatest 20th century poet:




The mind is an enchanting thing

is an enchanted thing like the glaze on a
katydid-wing subdivided by sun till the nettings are legion.
Like Gieseking playing Scarlatti;


like the apteryx-awl as a beak, or the
kiwi's rain-shawl of haired feathers, the mind feeling its way as though blind,
walks with its eyes on the ground.


It has memory's ear that can hear without
having to hear. Like the gyroscope's fall, truly unequivocal
because trued by regnant certainty,


it is a power of strong enchantment. It
is like the dove- neck animated by sun; it is memory's eye;
it's conscientious inconsistency.


It tears off the veil; tears the temptation, the
mist the heart wears, from its eyes -- if the heart has a face; it takes apart
dejection. It's fire in the dove-neck's


iridescence; in the inconsistencies
of Scarlatti. Unconfusion submits its confusion to proof; it's
not a Herod's oath that cannot change.



Marianne Moore (1887-1972)

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:

Uploader Comments (punkpoetry)

  • the aboce remarks on the EMI Mozart cycle are a bit snotty. So what if somebody turned the pages and so what if he was reading from the score. I thought that those recordings exposed all of gieseking , very excellent and ice cold

  • @bonsema1

    we seem to hold different views as to what constitutes "all of gieseking", which is fine

  • Thanks a lot! I didn't even know that he recorded Scarlatti...

  • @pianopera

    re Gieseking's Mozart recordings - these are not all up to his stratospheric standard... some of the sonatas and variations on EMI sound as though he was sight reading them, do they not? and every movement is done with in 3 minutes, as he ommits the repeats. OTOH, the concertos (9, 23, 24 in particular) are absolutely incomparable

  • @punkpoetry Yes, in fact many of these Mozart works were first-time readthroughs.....I spoke with the late Ronald Booth, one of Gieseking's last pupils and acquaintances at the Hanover Conservatory. Gieseking had an assistant silently flipping the pages at the sessions.

  • @nnwahler

    Thanks for this bit of information! Do you happen to know what impelled a pianist of Gieseking's level to such questionable practice? Contractual obligations? financial difficulties?

    I remember my dissapointment with Gieseking's Mozart sonatas cycle after hearing so many recordings of pure genius from him...

see all

All Comments (16)

Sign In or Sign Up now to post a comment!
  • Does anyone have a Glenn Gould recording of the Sonata in E major L23? I would love to hear it. Nothing better than hearing it from someone who has passion for the music of that era. I heard his playing of English Baroque masters and it was like a shower of light on a darkened room, amazing. I'm sure his Scarlattis would be so much more palatable than this icy cold version by Gieseking, no disrespect intended.

  • I am writing to you since I am looking for a cover photo of a deleted CD of Walter Gieseking, in which Gieseking is sitting in a stool by his piano wearing his typical hat. In this cover photo, he has his legs crossed and he is smiling. The cover photo shows him in full body.

    I would be grateful if you could tell me about the label and catalogue number of the deleted CD.

  • What a wonderful find. I had the 78 rpm recordings many years ago and have never been able to find them on more modern formats.

    It was inspiring to hear them once again

  • @punkpoetry Well, the likeliest hint is that EMI planned to record & release the complete Mozart set for the composer's bicentennial (1956). It first release was a deluxe 13-record gift box.

  • Maria Tipo, 1955 Recording - Sonata in E major, L 23 -

    watch?v=W36TLZtEizI

    thanks and regards to all

    

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more