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Mozart Piano Concerto, K. 488 (Zoltán Kocsis) movement 1

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Uploaded by on Dec 26, 2007

The great A Major Piano Concerto, K. 488, number 23, Zoltán Kocsis at the piano

with the Virtuosi di Praga under Jirí Behlohlávek,

recorded live At The Rittersaal Of Palais Waldstein, Prague, 29 August 1990.


Figured bass and the "col basso"

In Mozart's day it was expected that the soloist in these concertos would play in the tuttis, realising a figure bass. In most of Mozart's autograph scores of these piano concertos, the orchestral bass line was carefully figured, and in tutti passages, the piano staves are almost always marked 'col basso'-- instructing the the copyist that the bass line for tutti sections must be copied into the solo part.

Leopold supervised many scores where he put in the figuring himself after the copies were made--so there is no doubt that he and his son expected the soloist to perform a 'continuo' role outside of the solo selections.

There is one example in Mozart's hand, thought to be prepared for an inexperienced pupil, of this continuo part for piano--the C major concerto, K. 246. You can find it in Paul Badura-Skoda's Eulenburg edition of K.246 of 1968 (no.1269)...it's mostly 3 or 4 part harmony, in chordal fashion. Sometimes just octaves, sometimes just left hand doubling the bass line at cello pitch ('tasto solo')

It was later in the Romantic era, especially after Beethoven's death, that the soloist performing in all piano concerti was conspicuously silent, to highten the dramatic effect of the lone voice versus the group.

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Top Comments

  • He doesn´t rush it. He is just a naturally fast player, and he does it swiftly and with ease.

  • I don't think this is too fast at all! The tempo gives it a lot of lovely, lively character, and the clarity and quality of tone is beautiful--not sacrificed a bit. It doesn't sound rushed to my ear.

    Fabulous pianist, in my opinion. :)

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All Comments (286)

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  • @motharchodar hahaha

  • 9:52 fuckin baller status right there

  • Would you say a butterfly rushes, as it dips from flower to flower? No, it's natural. So is Kocsis: natural, but lovely speed.

  • Awwwz!♥ asta ahorita me inspire a escuchar estos clacicos es un hombre que ahora admiro mucho, BTW muy guapo ( :

    Motzard♥

  • Listening to this is my homework. I'm the luckiest girl in the world.

  • =)

    

  • The tempo may be too fast for the orchestra. Surely, this way doesn't allow too long time for expression. But strangely, I feel the pianist's playing calm and controlled without any sign of rushing.

  • Kocsis is anything but a robot. Just watch him as he plays, he's feeling Mozart's music, and feeling it faster than you'd like to hear. Remember it's his interpretation not yours.

  • 4:50 to 5:05 is EPIC

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