Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Pierre Philidor: Cinquième Suitte from the Premier Oeuvre, 1717

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
1,987
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Feb 2, 2009

Pierre Philidor (1681-1731) was a member of the illustrious Danican-Philidor family of instrumentalists who flourished in the service of the kings of France from the early seventeenth century until the Revolution. Pierre's father Jacques helped introduce the oboe to the orchestra in the mid-seventeenth century. It is interesting to note that unlike other family members Pierre seems to have dropped the surname Danican [a corruption of the Scots "Duncan"?] completely in favor of Philidor. His signature, as either "P. Philidor" or "Pierre Philidor," is on the title page of each of his publications, where he is also identified in print solely as "Philidor.". The family generally adopted the name "Philidor" after Louis XIII compared the playing of Martin or Jean Danican to that of the Italian shawm player Filidori; most family members in succeeding generations appended Philidor to commemorate that honor, but Pierre seems to be the only member of his generation to have called himself just Philidor. He thus may well have been the Philidor mentioned by Couperin as having taken part in performances of the Concerts Royaux before Louis XIV in 1714 and 1715; as was true of most instrumentalists at that time, he could have performed on oboe, flute, or even viol as needed.

The Premier, Deuxième, and Troisième livres of Pierre Philidor are interesting for the precision with which they are notated, and are the unique sources to include a sign to indicate the use of the fingered vibrato, or flattement. It is also interesting that in the sarabande of the present suite, Philidor indictes a change of tempo and character from "Tres tendrement" to "Un peu plus gay, et Piqué" and then "Mouvement ordinaire" for the ending.

The performance is live and unedited; I use my own copy of a three-piece flute by Chevalier, ca. 1700. Pitch is ca. a=405.

The drawing is by Watteau. Thank you for listening!

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:

Uploader Comments (iufiauto)

  • Thank you! your lecture recital on Daphne is very, very interesting, too!

see all

All Comments (4)

Sign In or Sign Up now to post a comment!
  • Magnificent music and musicianship. I can't wait to explore P. Philidor's music. Thank you for this revelatory video.

  • Excellent rendition of a so rare music and musician while Hotteterre, Blavet , Loeillet, ... are better known. Thanks a lot to post it. Bravo, Do it more and more.

  • A most sensitive interpretation with great clarity and beauty of tone. Thanks for sharing !

  • very elegant! and with a good sound too

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more