Uploaded on Jul 23, 2007
She is no Dancing Diva, but such a beautiful one (just look at her at 2:57/8) that all is forgiven :)
This is a MUST HAVE film for all Hindi film buffs. It is a veritable poetry in motion and comes together just so beautifully.
Came across a lovely piece on the www -
Here's an excerpt:
Source: Filmfare 1994
Author: Roshmila Mukherjee
Madhubala was an unforgettable Anarkali. And her portrayal of Radha in "mohe panghat pe nandala chhed gayo re" continues to mesmerise movie-goers. Surprisingly, the song was almost edited out. "It's bakwas.. it'll ruin the film," thundered noted director Vijay Bhatt after the recording. "Why show Akbar celebrating Lord Krishna's birth?"
Music director Naushad argued that with Jodhabai present in the Mughal court, it wasn't all that illogical. After discussions with the panel of script writers, a line was incorporated in Anarkali's introduction scene to Prince Salim. A courtier was made to say "Aaj Krishna janmashtami hai aur Radha ke liye Anarkali theek rahegi." The song went on to become piece-de-resistance.
K.Asif wanted the best choreographer for the song. Naushad suggested Lachchu Maharaj. And the great Kathak exponent burst into tears the minute he heard the song. Asif was baffled. "Why is he crying," he asked Naushad. "Tell him to start dancing."
Naushad took the dancer aside and asked him why he was weeping. Lachchu Maharaj confided that his father, Alkaji Bindadin, had been Nawab Wajid Ali Shah's darbari dancer. And "mohe panghat pe nandalal" with nawab playing Krishna, was his favourite composition. "Hearing the number after all these years, I was overwhelmed. It reminded me of baba".
It took Lachchu Maharaj five days to choreograph the number. His Radha was lovely... but she was no classical dancer. So the camera would zoom in on Madhubala for the close-ups. And one of Lachhu Maharaj's boys doubled for the actress in the long shots. On every one of those five days, there was an important visitor from across the border on the sets - Zulfikar Ali Bhutto. He would drive down from Worli to Mohan Studio and spend the day there raptly watching the song being picturised.
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