Pavel Lisitsian - Yeletsky's Aria

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Uploaded by on Apr 3, 2008

Tchaikovsky: Pique Dame, Op. 68 Yeletsky's aria

Bolshoi Theater Orchestra
Pavel Lisitsian
Conducted by Alexander Melik-Pashaev

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Uploader Comments (CzarDodon)

  • This is ear candy to the utmost--legato and arc of line is glorious....and such passion...how could Lisa go for Hermann after this aria?--I would totally cave....This, to me, is the best part of Pique Dame by far. Tchaikovsky surely knew longing.....

  • Yes it's simply perfection, but you know, Lisa wasn't quite right in the head poor girl - and with such a monstrous granny living in the house! - She decided to go for the psycho. Yeletsky was too good.

Top Comments

  • This is singing and expression so impressive that words of praise is useless.

    Pavel Lisitsian must always be remembered as one of the greatest exponents of singing on a level that is simply divine.

    The double phrase near the end culminating on G natural and then continuing on the same breath is a phenomenon of nature. The only comparable singer to this is the great Titta Ruffo,though his voice was of a darker timbre.

  • Wonderful voice!

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All Comments (28)

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  • Я Вас люблю, люблю безмерно....................Ве­ликий певец, великой страны! Здоровья Дагмаре Александровне Лисициан, Карине, Рузане, Гарику!

  • Simply wonderful - rich, rich tone & perfect control top to bottom.

    What more could one wish for.

    Thanks for posting.

  • потрясающе !!!

  • MARAVILLOSA, es una versión soñada!

  • Нет больше этих прекрасных голосов..(((

    Как мало, их можно найти на Ютубе, а ведь это уникальные голоса ...

    М.Д.Михайлов и Лисициан..

    Спасибо за возможность ещё раз его услышать.

  • я знал его родную сестру и знаю одну из его племянниц....

  • шикарно!

  • His is one of those voices, along with Mark Reizen's, that you cannot hear too often. Russia was unequalled for basses in those days

  • Bravo! Bravo! Archibravo!!!!!!!!!!!!!!!!!!!!­!!!

  • Incredible voice, technique, diction and interpretation.

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