Removable Tongue
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Uploaded by d21d34c55 on Apr 15, 2007
Inspired by the work of Oscar Fischinger, this a study done to explore the problems of this kind of work. The music is by guitarist David Torn. I hope he does not mind!
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Uploader Comments (d21d34c55)
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LOVED IT
My interpretation was that the straight (angry) line was representing the church, or belief in a wider sense, and the dots represented science (moving in many directions at a fast rate), and occasionally they clash (When the straight line crashs into the dots). The squares symbolise 'the people' who more around, in an unsure and un-slick way.
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See Jules Engel for example. Animator inspired by dance.
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One problem I have come to think about is how to incorporate the expressiveness of body-based practice in the sound or movement within the moving image. Even though content may be abstract, it can retain a sense of expressive shape of bodies moving in space and time, muscular tension and release, etc. Animators have such things as the "12 Principles" to help. Animators and dancers understand the expressiveness of the body, which has to be overcome in the binary world of computer-based work.
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@d21d34c55 I like you're work! For school i have to make an essay about this kind of things..
How do you know what kind of music Fischinger chose for his artwork?
Do you know more artist who have done such things?
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good guitar play
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very good visual description of the sounds.. very interesting..
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oh, david torn, got it ;)
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nice...did you compose the music?
15 videos
YouTube Mix for David Torn
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- 9:48Animación Color Link / Parte 1by nuvaproductions8,128 views
- 6:38Clair De Lune - Claude Debussy (Fantasia - Disney)by Rose1963ful30,482 views
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- 5:45Norman McLaren || Lignes verticales | Lines ver...by MiguelTremblay35,657 views
- 8:49jean painleveby eelsinthebathtub24,785 views
- 5:33"Early Abstractions" (1946-57), Pt. 3by donjuanauxenfers144,237 views
- 3:171940s AURORATONE (Restored!) featuring Bing Crosbyby robertwmartens6,781 views
- 0:33Calculated Movements by Larry Cuba (excerpt)by larrystephencuba11,536 views
- 3:061940s AURORATONE featuring Bing Crosbyby robertwmartens27,017 views
- 2:23Motion Painting Number Twoby oliver8bit15,406 views
- 5:00Royksopp Forever The Animationby RickyRicardo1357,590 views
- 6:51Nina Simone- Dambalaby TheObeahMan5,993 views
- 7:25George Cup: The connection between form and sou...by bhovrath2,309 views
- 1:34The Crunchby juliankrispel443 views
- 3:52Ligeti - Artikulationby d21d34c55373,244 views
- 2:29Tschikby 1n0ut2,050 views
- 0:49abstract animationby kamty13,222 views
- 0:30Composition In Grayby tachanmc290 views
interesting work...
are the behaviours based on self interpretation of sound or do they come from digital analysis of it? which are those "problems of this kind of work"?
going to upload some fischinger works now
ner0h 4 years ago
Thanks. My interpretation of the music. I suppose the "problems" are the same as any composition. (I normally do music composition.)
Specifically, for this kind of work, how to relate the simple shapes with the sounds? How strict must the synchronization be? I was inspired especially by the early black and white studies of Fischinger. The music he chose had very precise phrasing but this music is a little looser, so how to deal with that?
d21d34c55 4 years ago