Christian Tetzlaff - MOZART Violin Cto #3, k216, I.Allegro
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@b1000days uh. dude. the original cadenzas that mozart used havent survived. its commonplace to use your own cadenza
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certainly wrecks the work
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I'm playing this piece right now, and I think it is alright to move a lot like that. When you are serious and getting into the piece you gradually move a lot. Besides, Mozart is hard to accomplish, because he keeps everything simple. You need to keep all of the dynamics to yourself. So instead of letting too much of the dynamics out, you use your body's energy. This leads to moving a lot.
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It is perfectly right to use your own cadenza. That was how it was done in Mozart's day. I remember him very well from school days, he as in the year below, and I had the amazing fortune to pla yin a Piano Quartet in a Youth Music Competition with him. He had something of a Mozart about him, to my mind. An innocent and pure inspiration,something incredibly tender . I can still relive him playing a Vivaldi Concerto age 11. And he was and is a very well loved gentle and kind person. ..
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ack! he changed the cadenza!
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Great sound--but does he have to go in for the dramatic "reeling & writhing"?
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@lesvideosdamy: I saw Tilson Thomas / San Francisco / Christian Tetzlaff do the Tchaikovsky concerto at Carnegie Hall. there was a memory lapse in the first movement (I think he was just getting carried away and had to reconfigure) but the rest of the performance was almost overwhelmingly intense and concentrated. I think that Tilson Thomas held him back a little, though.
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excellent
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does anyone recognize the cadenza? did he write his own
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jordanburke45 9 months ago 13
woooooooooooooooooow nice
mijaaurinegro 2 years ago 4