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Herbie Hancock Possibilities with Cyro Baptista

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Uploaded by on Sep 8, 2009

Video from the recording of Sister Moon on Herbie's album Possibilities.

Also on this track is Sting.

You can catch Cyro on Sting's new album and live this winter!

For more info on Cyro:
http://www.cyrobaptista.com

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Music

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Standard YouTube License

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All Comments (18)

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  • cool session... great to see (and hear) you guys bring out the best in one-another; beautiful ♪  ♥ ♪♪

  • 6:53 is my favorite quote ever.

  • Real music

  • gotta be like my favorite studio session in my playlist of studio sessions

  • @marioTmaggot i agree...to me...this version is so much better than the original. i not only love this video...the entire dvd/cd is amazing. stiched up with john mayer....oooomg!!! and christina and herbie....woooooo...nice.

  • @mdrummanWS The difference between 6/4 and 12/8 is mere interpretation, and the two can easily comingle freely without being considered metric modulation. The choice for 6/4 by the arranger (whether it was Sting's original choice or Lionel's choice) likely had to do with the idea of a quarter-note pulse instead of an eighth-note pulse, which would make sense considering the broken/syncopated baseline.

  • LOVE LOVE LOVE this DVD! UNBELIEVABLE! Herbie Hancock is AMAZING! I will never forget when my Fundamentals of Music professor made us watch the entire DVD in class. He sat in the front seat pointing out specific information asking questions to all of us. I learned a lot from him. Every musician involved with this song was BRILLIANT!

  • Herbie's eternal youth is remarkable. The only other jazz musician who has stayed this physically youthful is Roy Haynes. Amazing.

  • It is not in 4! it is in 12/8 1 n 2 n 3 n 4. Most of the stuff from Africa swings at the n beat. Some musicians here call it the now beat. Anyone who's been to Africa would tell you that we can't count at all, which is true. However, we have a huge sensibility and feel to the now beat. You would call it the up beat, but for us it is the most real now beat.

  • I love how, everytime the camera's on the percussionist, he's waving some new crazy contraption past his array of condensor mics whilst turning on his little swivel chair.

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