In which medium can we best express architectural representation? How do time, notation, and score become integrated to present an architectural project that can be more than compositional -- to be processional? In Arch. 521 Visual Studies, led by Assistant Professor Simon Kim, Active Drawing became a space of inquiry or a diagrammatic interface. Shown: Video of Found Objects gone weird, "Variations on a Deadbolt," by William Wong. design.upenn.edu/architecture
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