Tagore's poetic style ranges from classical formalism to the comic, visionary, and ecstatic, yet proceeds from a lineage established by 15th- and 16th-century Vaishnava poets. Tagore was awed by the mysticism of the rishi-authors who—including Vyasa—wrote the Upanishads, the Bhakti-Sufi mystic Kabir, and Ramprasad Sen.Tagore's poetry became most innovative and mature after his exposure to rural Bengal's folk music, which included Baul ballads—especially those of the bard Lalon.[85][86] These—rediscovered and popularised by Tagore—resemble 19th-century Kartābhajā hymns that emphasize inward divinity and rebellion against religious and social orthodoxy.During his Shilaidaha years, his poems took on a lyrical quality, speaking via the maner manus (the Bāuls' "man within the heart") or meditating upon the jivan devata ("living God within"). This figure thus sought connection with divinity through appeal to nature and the emotional interplay of human drama. Tagore used such techniques in his Bhānusiṃha poems (which chronicle the romance between Radha and Krishna), which he repeatedly revised over the course of seventy years.
Link to this comment:
All Comments (0)