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Line 6 Distortion Modeler v Analog Originals

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Uploaded by on Jun 8, 2008

Classic old fuzz and overdrive pedals in shootout with Line 6 digital models. Vintage and rare verses modern technology.

  • likes, 8 dislikes

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  • HAHA, this video was in my "recommended for you" box an it said "Line 6 Distortion Modeler v Anal..." xD

  • Big Muff undefeated!

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All Comments (400)

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  • Big Muff always kick ass

    

  • This is a great vid, no matter how you slice it, cheers!! Yeaahh this pedal is great, the delay version of this is a must for a board...just me, rock on!!

  • @cabell64: Take it easy dude!! I´m not a pro in the subject. If what you say is true who do digital e "analog" pedals sound different, which is the case with these pedals showed here and their counterparts on the line 6?

  • @levinjapan - You've got to be joking - Do you think pedals are 'analog'? Any pedal with an IC chip (and they used them back in the Big Muff days) is technically a digital pedal.

  • I'm actually super impressed. The DM4 does the best a digital modeler can do against the real things, from what i hear. i actually thought the model for the mt-2 was better than the actual metal zone, but the compression that comes from digital is inevitable. the analogs sound so much more touch sensitive.

  • Excellent video!! LIne 6 did a good job but a digital pedal is just a digital pedal...it will never match an analog pedal...

  • owww I wanna the color sound... mmm line six is bad :(

  • very nice, i'm not a fan of digital but line6 definitely does it right. as far as i can tell, it kinda fell short on the Rat and Fuzz Face. in both cases it failed to recreate the trebly "grit" and bite that both pedals have in this video. and with the metal zone, the line6 sounded a bit more clear while the boss was a bit rougher. and the tubescreamer had a bit more of a "filtered" old fashioned tone whereas the line6 was brighter and more clear. it handled the lows really well though i felt.

  • I'm not a Line 6 fan, but they got it right with this one.

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