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From vamana avatara hasta i pay full respect to your deities, and i have to say bha is what unite all the soul and incarnations of all, so when you see a good or bad performance you are sharing bha, i needed 30 years to write this, because Anjalil Andanad has bha, yesterday i started gom and in 30 years i gonna write, bha-ra is all i can share today, and always i give you a full namascar from the bottom of the hart of sacalante
Is there a big difference between the Kalashethra style and the others? Because I learnt the same style above in Sri lanka, but my guru is not a student from Kalashetra!
Alarippu is Alarippu, the basics don't change. What might change between each style is how far the hand might flip up (like during the kitathaka-thei tha-thei, Kalakshetra doesn't flip their hand completely palm up, other styles do). Something distinctly Kalakshetran is the adavu in 1:52-2:02, the leaning of the torso and stretching of the arms is popular with that style. It could be that the one you learned was from Tanjore/Pandanallur bani which the Kalakshetra style is derived from.
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and i have to say bha is what unite all the soul and incarnations of all, so when you see a good or bad performance you are sharing bha,
i needed 30 years to write this,
because
Anjalil Andanad
has bha,
yesterday i started gom
and in 30 years i gonna write,
bha-ra
is all i can share today,
and always i give you
a full namascar
from the bottom
of the hart of
sacalante
good job :]
(well very simaliar)
You should post a video of your dancing sometime!
(no cuz u'll laugh at me)
It could be that the one you learned was from Tanjore/Pandanallur bani which the Kalakshetra style is derived from.
That's interesting to get to know about the Kalashethra style.