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Unlike Markov (and Paganini), he does not have a particulaly captivating stage presence, which I think is very important for any virtuoso, on any instrument. His execution of the argeggiated passages is also not as refined or at-ease as Markov's is, and his left-hand pizzicato is pathetic in comparison.
OMRLPdedicate....whats amusing is the amount of music Kaplan has to have under his hands for the tons of concerts he had/has...and yet his paganini is still this good...give him 3 days where all he has to work on is paganini 24 and it would be THAT much better....lol...
You may criticise him in another pleasant way, but it seemed that you're seriously unsatisfied about Mark Kaplan's paganini's interpretation , so i think, you're able to do a better job.=)
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