Squawk

I liked it a lot. For me, the main dynamic of it lies in the way E.Joseph tries to avoid looking directly at the camera, and ends up doing just that: just to bail out on his promise of "ending it all". It's audacity and fear combined in a single moment of anxiety. I liked the TAXI DRIVER reference, too. The footage of construction sites and renting spaces fits in well with the monologue, also because it's so deliberately quiet -- there are hardly any street noises to speak of. Good job, Steve!