Göksel Baktagir - İstanbul Sazendeleri

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Uploaded by on Nov 20, 2006

Sabah Rüzgarı (Yurdal Tokcan)


Kanun : Göksel Baktagir
Ud : Yurdal Tokcan
Viyolonsel : Emrullah Şenguller
Kemençe : Selim Güler
Keman : Baki Kemancı
Perküsyon : İzzet Kızıl & Yinon Muallem
Arp : Natalia Mann

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  • I am From Greece i ve bought two Cds the one was "Hayal Gibi 2" from Göksel Baktagir

    and the other is "Bergama Gaydası" from Hüsnü Şenlendirici & Laço Tayfa Wopnderfull musicians i love Turkish and Arabian Music well done to those musicians they touched my heart ;)

  • These countries that you mentioned are Arabic origin. But We Turk's origin comes from middle Asia. We have almost 1500 years culture as far we known. Since we have been lived more than 1000 years with Arabic countries together so we have many similarities which is very natural.

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  • This is the the food for the soul, wonderful music and playing. Sounds of the Turkey of the orient.

    Bravo

    Greetings from Makedonya.

    There is a orchestra called "Chalgii" who played this kindda music in Macedonia they are also very good. You can see them in this video:

    watch?v=PyjdqW8oD28

  • Beautiful!

  • Any way .. i hope people know that Lute (Oud),Violin,cello, Hammered Dulcimer came from Persia or Arabic instruments.Crusaders and Merchains brought them back to Europe back in 15, 16, and 17 century...I feel like Violin and cello are the greate greate great grand sons of arabic or turkish fiddle instruments that came back home agian. haha It made me think about Japanese cars in USA.We all are connected, try not to be narrow minded... Love one another.. Hug and HUg

  • I think the angle harps were replaced by Kanun. Kanun is quicker in changing pitches. after arabic music has advanced in 12, 19 and 23 notes within one octave, it s so hard to use a harp to play these complicated notes. Kanun is much more quicker in changing piths during song. As you can see the harpist in this video has to chang her pithes constantly. Levers come in handy. I think back then Levers havnt invented yet.

  • The musicians of "İstanbul Sazendeleri" are playing ottoman music in a synthesis between eastern and western instruments.

  • Angled harps were used for thousands of years by Anatolian, Mesopotamian and Egyptian civilisations, and the latest to emerge was the Ottoman "çeng" (turkish open harp). It was used up until the last quarter of the 17th century, but due to the difficulties in playing, carrying and tuning it, and the increasing popularity of such instruments as the tambur and santur, it slowly disappeared from the stage of history.

  • Angled harps were used for thousands of years by Anatolian, Mesopotamian and Egyptian civilisations, and the latest to emerge was the Ottoman "çeng" (turkish harp). It was used up until the last quarter of the 17th century, but due to the difficulties in playing, carrying and tuning it, and the increasing popularity of such instruments as the tambur and santur, it slowly disappeared from the stage of history.

  • Wow, so inspiring. I was "sent" here by a Turkish friend. He tells me this music if from the Ottoman Empire period. It's wonderful, for what I consider, for meditation background. I am certainly going to get hold of some of this wonderful stuff.

  • Yurdal hoca aşmış. Ne tür bir insan ud gibi bir enstrümanda akor basabilir, yurdal tokcan :)

  • wow .. I'm glad to see that the harp has revived in Arabic (or Turk) music again. after many thousand years that they have been demised from the Arabic music.

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