Part 2 of Willan's Introduction, Passacaglia & Fugue. The Passacaglia is essentially 16 variations on a repeated 8-measure theme. The variation @ 2:16 features (I think) Ernest Skinner's Eolienne...
Part 2 of Willan's Introduction, Passacaglia & Fugue. The Passacaglia is essentially 16 variations on a repeated 8-measure theme. The variation @ 2:16 features (I think) Ernest Skinner's Eolienne Celeste in the Swell Division -- the first time I have ever heard this stop in over 40 years of attending concerts at the Cathedral. Hopefully, it will be one of the unique ranks that's not thrown out when this organ is dismantled (now, apparently, in 2011).
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Dobson builds a certain kind of organ. The "Skinner." as it exists in the cathedral today, will be ruined. With the Skinner, the silk purse is already present. The Dobson "sow's ear" will not improve it one iota.
True - any 'rebuild' or 'improvement' which alters the existing tonalities of an instrument are a step backwards. Spend some time at St. John the Divine in NYC and you will hear how a proper rebuild is supposed to sound - nothing has been taken away from the existing instrument, and the minor tonal changes enhance the entire instrument We can only hope for the best for this instrument, since the Cathedral authorities have already made up their minds with Dobson...
SJtD is a perfect example - I can appreciate that the NC organ is currently far from what Skinner intended and built, and Dobson builds a good instrument, but like you say he has his sound, and I hope the intention here is to not put in a Dobson.
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